1)a dramatist in the Early Qing Dynasty清初戏曲
英文短句/例句
1.The Real Story about Jin Shengtan’s Yuanhui Poem --accompanying with the discussion on the birth and death of Ye Yibao, the dramatist of Qing Dynasty;金圣叹所作“元晖”诗本事考——兼论清初戏曲家叶奕苞的生卒
2.The Signs of Opera in a Dream of Red Mansions and Research on Family Opera Troupe in the Begining of Qing Dynasty《红楼梦》中的戏曲迹象及清初家班研究
3.The Dramatic Literature of the Ming and Qing Dynasties in Gansu Province;甘肃明清戏曲抄本初鉴兼论甘肃戏曲文化背景的历史成因
4.On the Evolution of the Concept of Women s Chastity by Terms of the Legendary Drama in the Late Ming and Early Qing Dynasty;论明末清初传奇戏曲中妇女贞节观念的嬗变
5.Figures of "Woman Disguised as Man" in Novels and Dramas in Late Ming Dynasty and Early Qing Dynasty;浅析明末清初小说戏曲中的“女扮男装”形象
6.The Development of Opera Music during the Song-Yuan period and Ming-Qing period;宋元戏曲音乐与明清戏曲音乐之发展
7.Discussion Yuan Bright Drama to End of the Ming Dynasty Clear at the Beginning of Talented Men and Beautiful Women Novel Literary Style Seepage;试论元明戏曲对明末清初才子佳人小说文体的渗透
8.The Image of "Former Homeland",Allegory and Attention to Women--Composition Techniques of the Dramas of Adherents to Early Qing Dynasty“故国”意象·寓言·女性关照——论清初遗民戏曲的书写策略
9.The Artistic Spirit and Modernization of the Chinese Traditional Opera: An Exploration of Zhang Geng’s Aesthetics;戏曲艺术精神与戏曲现代化——张庚戏曲美学思想初探
10.Initial Researches on the Comparison between Chinese Drama and Western Opera;戏中曲与歌中剧——中国戏曲与西方歌剧比较初探
11.Selecting in Drama Adapted from Novel Source from Qing Dynasty’Liaozhai Drama;从清代“聊斋戏”看戏曲改编对小说素材的选择性
12.The Influence of Folk Opera on Anti- Christian Cases in Sichuan in the Late Qing试论民间戏曲对清季四川教案之影响
13.On the Schools of Legend Opera in the Jiangnan Area in the Ming and Qing Dynasties;明清时期江南地区传奇戏曲流派考论
14.On Social Significance of Female Emotion Education in Dramas of the Ming and Qing Dynasties;论明清戏曲女性情感教育的社会意义
15.Language Reformation:The Pioneer of Reformation of Chinese Traditional Drama in Late Qing Dynasty;语言变革:晚清戏曲改良运动的先导
16.The Operas about The Dream of the Red Chamber in Qing Dynasty:Reception and Misunderstanding;清代红楼戏曲:文本意义的接受与误读
17.On the Contribution of Dramas and Novels in Qin Dynasty to the Development of Literary View;试论清代戏曲、小说对文学史观的贡献
18.Minority Language in Song, Yuan, Ming and Qing s Traditional Operas;宋元明清戏曲中的少数民族语(四)
相关短句/例句
novel and drama in late Ming Dynasty and early Qing Dynasty明末清初小说戏曲
3)the traditional opera of Ming and Qing dynasties明清戏曲
4)drama of the Qing Dynasty清代戏曲
5)the Sanqu in the early Qing-Dynasty清初散曲
1.This thesis, which discusses the Sanqu in the early Qing-Dynasty, can be divided into four parts.本文分四个部分(一引言三章)对清初散曲展开论述。
6)dramas of the Ming and Qing dynasties元明清戏曲
1.Through the study of the characters and expressions in the dramas of the Ming and Qing dynasties,the Chinese character"néng 能"has been found to be open to many interpretations,of which more than twenty are not included in the dictionaries as items of entry.研究元明清戏曲作品中的词语 ,发现“能”有诸多义项 ,如“才干”、“能够”、“如此”、“认同”、“很”等等 ,其中有 2 0余项在目前所有辞书中均未见收
延伸阅读
粉彩戏曲人物烟壶(清乾隆)
