1)Pipasi琵琶寺
1.LA-ICP-MS Zircon U-Pb Dating of the Pipasi Basic Volcanic Rocks Within the Mian-Lue Tectonic Zone in the Southern Margin of West Qinlin and its Geological Implication西秦岭南缘勉略带琵琶寺基性火山岩LA-ICP-MS锆石U-Pb年龄及其构造意义
英文短句/例句
1.Petrology and Geochemistry of the Ynezhao-Pipasi Metamorphic Volcanic Rocks in the West-Qinling and their Tectonic Significance;西秦岭月照-琵琶寺地区变质火山岩岩石地球化学特征及其大地构造意义
2.LA-ICP-MS Zircon U-Pb Dating of the Pipasi Basic Volcanic Rocks Within the Mian-Lue Tectonic Zone in the Southern Margin of West Qinlin and its Geological Implication西秦岭南缘勉略带琵琶寺基性火山岩LA-ICP-MS锆石U-Pb年龄及其构造意义
3.A Discussion on the Performing Techniques of Pipa in Bai Juyi s "Song of Pipa";白居易《琵琶行》中的琵琶演奏技法探微
4.The Influence of Transplanted Music of Pi-pa the Development of Pi-pa Art;琵琶移植乐曲对琵琶艺术发展的影响
5.Some of the more noteworthy pipa works are:琵琶的传统曲目有:
6.It is the little rift within the lute,就是那琵琶琴的小裂痕，
7.The little rift within the lover's lute,情人的琵琶琴上小裂痕，
8.Piper's Hill Ultra High Level Fresh Water Service Reservoir琵琶山超高食水配水库
9.Piper's Hill Low Level Fresh Water Service Reservoir琵琶山下食水配水库
10.Piper's Hill High Level Fresh Water Service Reservoir琵琶山上食水配水库
11.Solos were mostly played on the pipa or yangqin.独奏多用琵琶或扬琴。
12.Pictorial Analysis to Chinese Localization of Pipa Lute Instrument;宋、元、明琵琶图像考——琵琶乐器汉化过程的图像分析
13.A Brief Analysis of Two Changes in a Pipa Girl s Image--Looking at the Pipa Girl from“Qingshan Lei”and“Sixian Qiu”;浅析琵琶女形象的两次变化——从《青衫泪》《四弦秋》中看琵琶女
14.On the Study of the Vietnamese Ty-ba's Historical Origin and Comparative with Chinese Nanyin Pipa越南琵琶的历史起源与中国南音琵琶的比较研究
15.The Preliminary Inquiry into Strengthening the Construction of Lute Teaching Materials from Its Historical Evolution从琵琶教材的历史沿革试析琵琶教材建设的加强
16.Girl: Angry anglers? What do you want' em for?女孩：“激怒琵琶鱼”？你要拿它们干什么？
17.He took up his pipa and played the"welcome to Spring Dance".他拿起琵琶，弹起了《迎春舞曲》。
18.a stringed instrument of the group including harps, lutes, lyres, and zithers.弦乐器的群体包括竖琴、琵琶、七弦琴、筝。
相关短句/例句
the Yuezhao-Pipasi area月照-琵琶寺地区
3)Pipa琵琶
1.About the Tone Variation in Pipa Performance;谈琵琶演奏中的音色变化
2.Heart-striking Tunes: An Analysis of Pipa Rhyme Adapted from a Tang Dynasty Poem;千古绝唱沁心扉 抑扬跌宕谱新声——琵琶独奏曲《诉——读唐诗<琵琶行>有感》赏析
3.The Classification and Comprehensive Application of the Tone Color of Pipa;琵琶音色的分类解析与综合应用
4)lute[英][lu:t][美][lut]琵琶
1.The Comparison Study on the Lute Arts of Pudong School and Wang School;浦东派、汪派琵琶艺术比较研究
2.In Qin Dynasty, lute refers to a straight-neck drum with a sound box-also called Qin-Lute,first round,then,pear-shaped.琵琶,在古代是所有弹弦乐器的总称。
3.The music art of lute (a plucked string instrument with a fretted fingerboard) came from the minorities in the west region in the Tang dynasty, giving the audiences and scholars in the central region unusual novel feelings.唐代传自西域的琵琶艺术,为当时的中原听众平添了异样的新奇之感,因而博得了文人学士的喜好,写作了大量有关琵琶的诗歌。
5)Biwa lake琵琶湖
1.The precious experiences on protecting and treating Biwa lake are concluded by field visit.对日本成功治理琵琶湖在环境保护和治理方面宝贵经验进行了总结,包括污染源控制和生态修复技术、环境管理、公众参与和科学研究等方面的内容,供我国众多富营养化湖泊治理借鉴和参考。
2.The administered experiences of Japanese biwa lake water environment were introduced.介绍了日本琵琶湖水环境的治理经验。
6)Lake Biwa琵琶湖
1.Inspiration of management experiences of Lake Biwa to Dongting Lake;日本琵琶湖治理经验对洞庭湖的启示
2.Inspirations to treatment of Taihu Lake by technical measures of Lake Biwa in Japan;日本琵琶湖治理的技术措施对太湖的启示
3.Comment on basic idea for protection and regulation of Lake Biwa of Japan;日本琵琶湖保护治理的基本思路评析
延伸阅读
月山寺中原古刹月山寺位于河南焦作博爱县境内，面积9平方公里。景区内仙山琼阁，胜迹荟萃，景致奇异，是一处历史悠久、风景秀丽的旅游胜地。月山寺始建于唐代，时名“清风寺”。明永乐三年改为月山寺，沿用至今。月山寺依山而建，雄伟壮观，主要有连环井、七星塔、望景台等景点。月山寺历史上曾与白马寺、少林寺并称为中原三大名寺，为豫北地区最大的佛教活动场所。中华三大拳之一的“八极拳”即发源于此，武林中有“文有太极安天下，武有八极定乾坤”之说。优美的自然风光，闻名于世的八极拳术，曾引得不少帝王将相到此观光朝圣，文人墨客前来驻足赏景。明永乐皇帝、大乐律学家朱载育以及乾隆皇帝都曾到此游历，并留有“日晒青色色愈翠，月照禅堂寺更明。曲径幽雅赏不尽，不辞劳苦晚登程”名句。历史上，月山寺为中原四大佛教寺院之一。即东有开封相国寺，西有洛阳白马寺，南有嵩山少林寺，北有月山宝光寺（月山寺原名）。月山寺鼎盛时期是明、清两代。当时寺院规模宏大，有房舍千余间，寺僧数百名。除正寺外，在寺东山坡上（即现在的铁路学校，月山火车站一带），还修有东西下院，兴办义学。东下院习文、学医，西下院习武，传授“八极拳”。整个寺院除山水秀美，环境优雅外，寺内还有“清风殿、连环井、凤凰台、苍公洞、大士阁、望景台、将军柏、课蜜泉”等８大景和“迎风壁、七皇塔、钟鼓楼、水龙头”等７个小景。因此，历代文人墨客，甚至皇帝常来此游览，拜佛者甚多。传说元末朱元璋遭厄运时曾在此为弟子，其四子朱棣亦在此屯兵（现尚存藏兵洞）；明末大书法家、政治家王铎也曾为“大士阁”题匾“极目中原”。清乾隆皇帝与圣母皇太后也曾到此游览、拜佛，曾赐匾额和对联。对联为：功德水周环金客印月，吉祥云飘渺宝界凝香。匾额为：慈意云垂，无尽光明，六通圆满。并题诗一首，即有诗为证：“月地由来号月山，蜿蜒一径入云关。真成七宝光无定，消受三秋趣以闲。平野色含菁峭外，飞泉声在翠微间。心疑开土幽居处，欲辨残碑藓已斑。”“美景一时观不尽，天缘有份再来游。”
