1)poetry and print诗书画印
1.From the "pen and ink", "poetry and print", "blankness"and "the mood of a literary work"of the tradition.本文从传统的中国画的“笔墨”、“诗书画印”、以及“空白”、“意境”等几个方面来阐述中国绘画的民族性特征。
英文短句/例句
1.Mr. Yu Zhongjiu and His Art;写尽三峡百万峰——余仲九先生和他的诗书画印艺术
2.On the Integration of "Poetry,Calligraphy,Painting and Seal" in Chinese Painting--Also on the Important Function of Huizong Emperor of the Song Dynasty(Ⅱ)关于中国绘画“诗书画印”一体化进程的考察——兼论宋徽宗的重要作用(下)
3."another important aspect of Chinese traditional painting was the perfect coordination of picture, poem, calligraphy and seal. "中国画的另一重要特征是绘画，诗歌，书法和印章的完美结合。
4.Painting,Calligraphy and Poem: Three Kinds of Artistic Uniqueness Achieved by Prof.Qigong s;一生三绝画书诗——论启功先生的题画诗
5.a black liquid ink used for printing or writing or drawing.一种用于印刷、书写或画画的黑色液体。
6.A piece of painting normally consists of the painting itself, calligraphic writing and seal stamps.一幅画通常由画、书法和印章组成。
7.Chueh-hui's grandfather, as a well-known gentleman who had several collections of poems published, an epicure of ancient books. and paintings, could not go against the fashion.祖父原也是名士，印过两卷《遁斋诗集》送朋友，又喜欢收藏书画，所以在这一点上也未能免俗。
8."The painter transformed emotion to artistic language through writing, arrangement and his seal, which formed a visual composition pleasing to both eye and mind, and revealed the inner meaning of the painting."画家通过诗歌，书法和印章将其情感转换成艺术语言，从而使作品赏心悦目，并表现出作品的内涵。
9.On the Life of Poet Monk Fu Guang of Yuan Dynasty书显昭文——元代书、画、诗僧溥光生平考述
10.Cultural Mark of Kunqu Opera Theatrics:Poetic Charm and Painting Conception;昆曲舞台表演的文化印记:诗情·画意
11.On the Influence of Chinese Poems and Painting upon the Piano Poet FU Cong from FU Lei s Family Letters;从《傅雷家书》看中国诗画对“钢琴诗人”傅聪的影响
12.He was accomplished in poetry, prose and calligraphy, and excelled especially in painting.他擅长诗词书法，在绘画上尤其精通，
13.SOGAT (Society of Graphical and Allied Trades)书画刻印及有关行业协会
14.engraving ,original, whether or not antique刻版印书画原件,无论是否古董
15.The Study of the Calligraphy Painting Seal Art in the Modern Visual Communication Design;论现代视觉设计中的“书”、“画”、“印”
16.Ancient Chinese Poem and Painting Have No Absolute Position on Neither Orthodox School Nor Orthaodox Tradition--On Reading Qian Zhongshu s Chinese Poems and Chinese Paintings;中国旧诗画没有正宗、正统的绝对地位——读钱钟书《中国诗与中国画》
17.poem without hidden aspiration" "poem as repeated gates"----The impression of "upper bamboo book;“诗无隐志”,“其犹重门”——“上博竹书”印象
18.A Letter Being Rich in Poetic and Artistic ConceptionT he Travel Notes being like a Picture--The beauty of quietude, tranqui llity and harmoniousness in A Letter Sent to Scholar Pei Di from the Mountains诗情画意的书信 见字如画之游记——《山中与裴秀才迪书》的幽静谐和美
相关短句/例句
integration of poetry,calligraphy,painting and seal cutting诗书画印一体化
3)printed poems into paintings诗书画印融为一体
4)On Xue Ji s Poetry,Calligraphy and Painting薛稷诗书画评析
5)graphicacy['ɡr?fik?si]书画刻印技能
6)poetry and painting诗画
1.This paper discussed the profound influence of Chinese poetry and painting on Chinese Penjing in the formation and development of its national style and pointed out that the Chinese Penjing is consistent with Chinese poetry and painting in the consciousness of space, painting is its shape and poetry is its soul, the fusion of poetry, painting and Penjing are the path to develop Chinese Penjin探讨了在中国盆景民族风格的形成与发展中 ,中国诗画对它的深刻影响。
延伸阅读
李肱所遗画松诗书两纸得四十韵【诗文】：万草已凉露，开图披古松。青山遍沧海，此树生何峰。孤根邈无倚，直立撑鸿濛。端如君子身，挺若壮士胸。樛枝势夭矫，忽欲蟠拏空。又如惊螭走，默与奔云逢。孙枝擢细叶，旖旎狐裘茸。邹颠蓐发软，丽姬眉黛浓。视久眩目睛，倏忽变辉容。竦削正稠直，婀娜旋敷峰。又如洞房冷，翠被张穹笼。亦若暨罗女，平旦妆颜容。细疑袭气母，猛若争神功。燕雀固寂寂，雾露常冲冲。香兰愧伤暮，碧竹惭空中。可集呈瑞凤，堪藏行雨龙。淮山桂偃蹇，蜀郡桑重童。枝条亮眇脆，灵气何由同。昔闻咸阳帝，近说稽山侬。或著仙人号，或以大夫封。终南与清都，烟雨遥相通。安知夜夜意，不起西南风。美人昔清兴，重之犹月钟。宝笥十八九，香缇千万重。一旦鬼瞰室，稠叠张羉罿。赤羽中要害，是非皆匆匆。生如碧海月，死践霜郊蓬。平生握中玩，散失随奴童。我闻照妖镜，及与神剑锋。寓身会有地，不为凡物蒙。伊人秉兹图，顾眄择所从。而我何为者，开颜捧灵踪。报以漆鸣琴，悬之真珠栊。是时方暑夏，座内若严冬。忆昔谢四骑，学仙玉阳东。千株尽若此，路入琼瑶宫。口咏玄云歌，手把金芙蓉。浓蔼深霓袖，色映琅玕中。悲哉堕世网，去之若遗弓。形魄天坛上，海日高瞳瞳。终骑紫鸾归，持寄扶桑翁。【注释】：【出处】：全唐诗：卷541-80
