1)Northern Song landscapes北宋山水
1.Northern Song landscapes was before Barbieri School for about 700 years.北宋山水与巴比松画派时间相隔七百多年，发生地域距离遥远。
2.Northern Song landscapes were about 700 years before those of Barbieri School.北宋山水与巴比松画派时间相隔七百多年,发生地域距离遥远。
英文短句/例句
1.Differences within Similarities--Reading Northern Song Landscape Paintings and Barbierian School同中之异——读北宋山水与巴比松画派
2.A Comment on the Cun Method of Chinese Landscape Paintings in the Period of Five Dynasties and Early North Song Dynasty;五代北宋初期中国山水画创作皴法简评
3.imitating southern Sung landscape临摹南宋院体之山水
4.On the Formation of the Idea of Adoring Abstraction in the Landscape Paintings and the Poems for Them in Song Dynasty;论宋代山水画及题山水画诗中尚意观的形成
5.The Scenery Has the Boundary--Song Yuan Landscape Painting Composition Evolution and Drawing Thought;山水有境——宋元山水画构图演变及绘画思想研究
6.In the Song Dynasty, the poet Fan Chengda once described the scenic beauty of the region in glowing terms as follows:宋朝诗人范成大曾著文，推崇桂林山水：
7.Mountains and water painting, too, reached a peak in the Song Dynasty.到了宋代，山水画达到鼎盛，
8.The Harmonious Beauty of Pastoral Poem From Jin and Song Dynasty to Tang Dynasty in Its Ideology;晋宋至盛唐山水田园诗的思想和谐美
9.The Poets’ Self-presence in the Poems for Landscape Paintings in the Song Dynasty;论宋代题山水画诗“画中有我”的自寓性
10.The Plainness and Pedestrianism--The Orientation of Aesthetics of Song Dynasty Scenery Painting;平远尚淡——宋代山水画论的审美取向
11.Mr SONG SHu-hua and Ethnic Investigation of“SixMountains and Six Rivers”in Guizhou;宋蜀华先生与贵州“六山六水”民族调查
12.Analysis of the Composition Features of the Landscape Paintings in the Five Dynasties and Song Dynasty;浅析五代、两宋山水画的空间布局特征
13.Yellow River's Flooding and the Deteriorating Hebei Agriculture Production北宋黄河水患与河北农业生产条件的恶化
14.The Origin of the Ch iang People in the Northwest Sichuan--A Research into Xishan Jimi Prefectures;川西北羌族探源——唐宋岷江西山羁縻州部族研究
15.On the Relationship Between the Intellectuals of the North Song Dynasty and Wudang Mountain;文化与历史的对话——论北宋文人与武当山的关系
16.Song and Yuan Style Ink Pen and Ink Landscape Painting Tradition and Innovation宋元水墨山水画笔墨风格的继承与创新
17.The Influence of the Geomantic Omen on Landscape Paintings of Five Dynasties to Early Song Period;由五代宋初山水画论看风水学对山水画成熟的影响
18.Modern small towns have mushroomed in suburban Beijing over the past five years, such as Xiaotangshan in Changping, Yangsong in Huairou, Songzhuang in Tongzhou and Changgou in Fangshan.北京市近5年来出现了不少现代化的小城镇，比如昌平小汤山、怀柔杨宋、通州宋庄、房山长沟等。
相关短句/例句
landscape in Song dynasty北宋山水画
3)Landscape painting of five on behalfs and early north Sungs五代及北宋初山水画
4)Water conservancy of the Northern Song Dynasty北宋水利
5)paintings of mountains and waters in Song-Yuan Dyansties宋元山水画
1.And with the paintings of mountains and waters in Song-Yuan Dyansties as the model and example, the text make some probe into its formation, its artistic achievement and the artistic conception’ beauty of traditional Chinese arts.本文将意境这一艺术形象进行了尝试性的阐述,并以意境塑造的典范——宋元山水画为例展开,初步探讨宋元山水意境形成的原因、达到的艺术成就以及中国传统艺术的意境之美。
6)Song Dynasty landscapes宋代山水画
1.With analysis of works of representative landscape painters, beginning with the relation between writing brush and Chinese ink in Song Dynasty landscapes, this thesis researches how those landscapes reflect the realistic colored light changes, from the angle of the ancient Chinese astronomy changes in concrete nature images.本文从宋代山水画笔墨关系入手，结合宋代具有代表性山水画家的作品，从具体自然物象阴阳变化关系的角度，去研究宋代山水画对现实中色光变化的表现特征。
延伸阅读
《神策军碑》册(唐末或北宋初年拓本) 唐柳公权书《皇帝巡幸左神策军纪圣德碑》的原石拓本。剪条装。现存 1册，文为前半部，27 开，54 页，每页纵23厘米，横35.6厘米。此碑为柳公权66岁时所书，书法精练苍劲，结体布局平稳匀称，为今传柳体书中佳作之一，加之刻工精良，拓本与真迹无异。 此拓为海内孤本，唐末五代或北宋初年拓，始为南宋贾似道藏原宋代内府故物，贾遭籍没复归内府。其后归元朝翰林国史院。元亡，归明库，拓本末题有"洪武六年闰十一月十八日收"泥金小字 1行。此后归晋王府，明亡为孙承泽所有。又经梁清标、安岐、张蓉舫等递藏。20世纪中叶，流于香港，1965年在周恩来指示下，以重金购回。现藏北京图书馆。 拓本首签题曰:"柳公权神册军纪圣德碑。"后尾有著名元代书法家鲜元枢及清孙承泽、姚元之等题记。全本钤有"翰林国史院官书"、"晋府书画之印"、"北平孙氏"、"安仪周家珍藏"、"关玩流藏"、"伯郊过眼"、"梁清标印"、"张氏蓉舫"及宋贾似道"封"字等印记 96 方。此本归谭敬收藏时曾以珂罗版影印行世，艺苑真赏社又翻印，日本二玄社《书迹名品丛刊》再翻印辑入。1974年文物出版社又以原拓本制版重新印行。 《神策军碑》刻于唐会昌三年 (843)，崔铉奉敕撰文，柳公权奉勅书册。碑在宫廷禁中，拓本不易，故传本绝少。原石已无存。
