荒诞派戏剧,The Theatre of the Absurd
1)The Theatre of the Absurd荒诞派戏剧
1.The Theatre of the Absurd,which was born in France in 1950s,toppled over the conception of traditional plays.20世纪50年代兴起于法国的荒诞派戏剧彻底颠覆了传统的戏剧观念。
2.Now it is necessary and important for us to make objective analysis and comments on the Theatre of the Absurd.荒诞派戏剧于20世纪50年代初期在欧洲崛起,于80年代初期开始影响中国,对中国戏剧界产生了冲击波,一些人写了荒诞剧,由于中西方剧作家对荒诞剧理解上的迥异,中西方荒诞剧作品中在主题的表达、人物的塑造、时空的安排、语言的运用等多方面有较大的差异,在"荒诞剧热"已经降温的今天,对荒诞派戏剧的社会意义与艺术价值进行冷静客观的分析是有意义的。
3.This paper is a brief introduction to the rise and the common characteristics of “the Theatre of the Absurd".本文对荒诞派戏剧产生的背景以及该派戏剧的共同特征作了简单的介绍。
英文短句/例句

1.Elementary Approach to Unisku s Drama --Supplementary Approach to Drama of the Absurd;尤奈斯库戏剧浅谈——兼论荒诞派戏剧
2.Inheritance and Transformation of the Absurd Theatre: On Stoppard s Parodic Absurd Plays;荒诞派戏剧的继承与变奏——论斯托帕德的戏仿型荒诞剧
3.Judging the Antiplay Characteristics of the Theatre of the Absurd from "Waiting for Godot";从《等待戈多》看荒诞派戏剧的反戏剧特征
4.Returning To The Origin And Starting Again -A Study of the Absurd Theatre s Histrionicism;回到原点再出发——试论荒诞派戏剧的戏剧性
5.The striking features of absurd drama;反传统·反理性·反戏剧——荒诞派戏剧特征谈
6.Study on Harold Pinter,an English Fantastic Playwright英国荒诞派戏剧作家哈罗德·品特研究
7.A Complete Anti-tradition --On Features of Absurdist Drama Are Anti-traditional;对传统的彻底反叛——荒诞派戏剧特征谈
8.The Absurd Parody and Symbols:The Absurd Theatre Theory in The Zoo Story;荒诞的类比象征——论《动物园的故事》中荒诞派戏剧理论的运用
9.The Signal of Absurd--The Characters of Postmodemism in the Language of Absurd Plays;直喻荒诞的符号——荒诞派戏剧语言的后现代主义之维
10.Explain fantastic to like life while being sad directly Fantastic innovation and creation of sending the drama out of the common;直喻荒诞悲喜人生——论荒诞派戏剧与众不同的革新与创造
11.Aphasia of the Traditional Language--On the language of theatre of the absurd;传统语言的失语——略论荒诞派戏剧的语言
12.From Beckett to Pinter: Aspects of Anxiety In Theatre of the Absurd;从贝克特到品特:荒诞派戏剧之焦虑面面观
13.The achievement and limitation on fantastic school drama --Informal discussion about Lnoesco s Touer;荒诞派戏剧的成就与局限——尤奈斯库的《头儿》漫论
14.Pragmatic-stylistic Study of the Absurd Theatre--A Case Study of Waiting for Godot对荒诞派戏剧的语用文体研究——以《等待戈多》为例
15.An Awaitor in Post- god Era: A Textual Analysis of an Absurdist Drama Waiting for Godot后上帝时代的等待者——对荒诞派戏剧《等待戈多》的文本分析
16.The Innovative Symbolization of Theatre of the Absurd in The Zoo Story从《动物园的故事》结构的文体特征看荒诞派戏剧的象征创新
17.Examination on techniques in the setting of the Theatre of Absurd employed in Waiting for Godot: a discourse approach;荒诞派戏剧《等待戈多》的背景设置技巧之语篇分析法阐释
18.Excessiveness of signifier and deficiency of dialogue--On language features of opera of the absurd;能指的过剩与对话的缺失——论荒诞派戏剧语言的创新
相关短句/例句

theatre of the absurd荒诞派戏剧
1.Aphasia of the Traditional Language——On the language of theatre of the absurd;传统语言的失语——略论荒诞派戏剧的语言
2.The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.荒诞派戏剧产生荒诞感的重要原因是基于象征手段的极端化。
3.Beckett abandoned the traditional treatment of dramatic ingredients and in doing so gave birth to a new theatre - Theatre of the Absurd.贝克特颠覆传统戏剧要素,开创了一种戏剧新形式“荒诞派戏剧”。
3)absurd theatre荒诞派戏剧
4)Theater of the Absurd荒诞派戏剧
1.Theater of the Absurd Breadthrough in the Art and the Spirit of Tragedy;荒诞派戏剧的艺术突破和悲剧精神
2.Theater of the Absurd, One kind of the plays with the greatest influnce, Wereprosperous on the western stages during 1950s and 1960s.荒诞派戏剧是20世纪五、六十年代繁荣于西方舞台的最有影响力的戏剧流派之一。
5)Absurd drama荒诞戏剧
6)chinese absurd drama中国荒诞戏剧
1.Chinese absurd drama and western drama are factually influenced and closely connected.中国荒诞戏剧与西方荒诞戏剧有着事实上的影响和渊源关系。
延伸阅读

荒诞派戏剧荒诞派戏剧absurdtheatre现代戏剧流派之一。荒诞(absurd)一词由拉丁文(sardus)(耳聋)演变而来,在哲学上指个人与生存环境脱节。荒诞派戏剧一词最早见于英国戏剧评论家马丁·艾思林1962年出版的《荒诞派戏剧》一书。荒诞派戏剧的哲学基础是存在主义,它拒绝用传统的、理智的手法去反映荒诞的生活,而主张用荒诞的手法直接表现荒诞的存在。其艺术特点为:①反对戏剧传统,摒弃结构、语言、情节上的逻辑性、连贯性。②常用象征、暗喻的方法表达主题。③用轻松的喜剧形式表达严肃的悲剧主题。代表作家有S.贝克特、E.尤内斯库、J.热内等。代表作品有《等待戈多》、《秃头歌女》、《椅子》、《阳台》、《屏风》等。荒诞派戏剧在西方剧坛享有极高声誉,但作为一种强大的戏剧潮流则已成陈迹。J.热内的荒诞派戏剧《屏风》剧照