手捏戏文,the language of the clay sculpture英语短句,例句大全

手捏戏文,the language of the clay sculpture
1)the language of the clay sculpture手捏戏文

英文短句/例句

1.The Characteristics of the Clay Figure Molding of the Clay Sculpture Language in Huishan--Analysis From the Relation Between the Language of the Clay Sculpture and Kunqu opera惠山手捏戏文的捏塑特征——从与昆曲的关联分析
2.On the Artistic Characteristics of the Implications in Huishan Clay Figurine and Kunqu Opera;惠山泥人与昆曲—论手捏戏文的艺术特征
3.When Empress Dowager Cixi celebrated her 60th birthday, the local officer of Huishan presented a clay figurine set, Immortality Peach Gathering.在慈禧太后六十大寿时，地方官把一套大型手捏戏文泥人《蟠桃会》供奉内廷，
4.She pressed his hand softly.她轻轻捏了捏他的手.
5.The poor stationer was at the mercy of those from whom he borrowed money.这可怜的文具商被他的债主们捏在了手心。
6.Olinthus pressed his hand joyfully.俄林托斯喜形于色，紧紧捏了捏他的手。
7.She gave my hand a gentle squeeze.她握着我的手, 轻轻捏了捏.
8.Maxwell turned half around, with his hands full of papers and ticker tape.马克斯韦尔侧过身子，手上捏了一把文件和行情纸带。
9.squeeze sb's hand, eg as a sign of affection,sympathy,etc握着某人的手捏一捏（如表示爱意、同情等）
10.Some small hand-moulded pottery animal figures of the Qujialing culture in Hubei Province and the Hemudu culture in Zhejiang Province have been unearthed.在湖北屈家岭文化、浙江河姆渡文化中，出土了一些手捏的只有数厘米大小的动物雕塑。
11.M. de Morcerf turned pale, and clinched his hands on the papers he held.马尔塞夫先生的脸色变得苍白了，抓住文件的那只手紧紧地捏成了拳头。
12.He held in his hand something which resembled a letter.他手里捏着一件东西，好象是封信。
13.And then her hand closed on his and pressed feverishly.于是她抓住了他的手狂热地捏。
14.Her little hands were folded tightly as she thought.她沉思时两只小手捏得紧紧的。
15.holding her black leather purse tightly in her hand把黑色的皮夹子紧紧地捏在手里，
16.I picked up the receiver between two sticky fingers,我用两个沾满面糊的手指捏起了话筒。
17.I don't think she was faking about the hand.我看，手相这玩意儿不见得是她捏造的。
18.Don't believe him: he's a past-master at making excuses!别相信他！他是捏造借口的老手。

延伸阅读

惠山手捏戏文生产工艺惠山手捏戏文生产工艺　　江苏无锡惠山手捏戏文生产，以手捏为主。先将磁泥进行捶练，使泥质均匀、细腻和增强粘性。一般先做人物头部。面部用脸模复制，脸形一样的泥人，用一个脸模翻做（男、女、老、少等不同的人物，脸形有所不同，须用不同的脸模翻做）。然后做上不同的帽子、发饰和胡须，插上不同的头饰，再经过上彩和开相等的不同处理，各式各样人物的头像便活生生地显现出来。有的在脸部泥坯上亦可略加变形和修改，这柞可使表现的人物性格更加突出。有些作品的头部采用活动装置，以便取下包装。“从下而上，由里到外”，这是惠山捏塑戏文创作的基本规律。从下部两足到腹部、胸部向上做，容易掌握人物的比例和动态。“边薄中厚，下薄上厚”，是作袍片的要求，袍边做得愈薄、愈整齐，使人物的衣着愈能表现出飘动潇洒的感觉；两只手臂是做好后再镶上去的，手指，是在做好手形后用剪刀剪开的。泥坯完成后，待阴干。再进行修整，用笔涂上一层清水，不平处进行磨光，开裂处进行修补。然后上彩：先上白粉（淡色、肉色处一定要上白粉，黑色和深处不须上粉），脸部上一种较细的白粉（立德粉），再上颜色，然后开相。上颜色时，先上淡色，再上深色；最后，有些作品，为使脸部光亮，还须进行打蜡，更显得光彩焕发，引人喜爱。