1)folklore photography民俗摄影
1.Folklore photographer should have certain theory knowledge on the folklore, ethnology and anthropology, familiar with creation rule of folklore photography.民俗摄影直到1993年才被正式提出并迅速被大众所接受。
2.The flavor of folklore photography refers to its cultural connotation and sacred meaning;meanwhile,the preserved flavor is the remainder of them or their deficiency in the society,and it is one kind of critique to the modern society in fact,it is an elegy-like beauty.民俗摄影的"韵"之美指的是民俗摄影所体现出来的文化内涵和神圣意味;"余韵"之美则指的是这种神圣意味或文化内涵的留存和在当下社会中的缺失,"余韵"之美事实上是一种对现代社会的批判,是一种挽歌式的美。
英文短句/例句
1.Study on Folklore Photography and Traditional Culture;民俗摄影中的传统文化及其表现研究
2.The Research of the National Minority Movie (TV)s Folk Culture;少数民族电影（视）中的民俗文化研究
3.The Visual Representation of Farmers Images in News Photography;新闻摄影报道对农民形象的视觉表征
4.On the Influence of Folklore Culture on Su Qing’s Writings一幅清新质朴的民俗画——论民俗文化对苏青创作的影响
5.Research on Video Film Shooting Documentary of Folklore Fieldwork;民俗学田野调查的影视记录方法研究
6.On the Impact of Ethics and Folk Culture on the Aesthetic Culture in Qinghai;伦理、民俗文化对青海审美文化的影响
7.Outline the Influence of Folk Belief on Folk Custom in Han Dynasty;略论汉代民间信仰对社会习俗的影响
8.Research Studies of the Influence of Religion in Ming Dynasty on Secular Life;明代宗教对民间世俗生活影响之探析
9.To See the Influences on Customs Established by the Resultant of Official Force and Folk Force from the Rise and Decline of the Cold Food Festival;论官方与民间合力对寒食习俗的影响
10.Chinese Traditional Culture s Influence on Modern Folkloric Psychology;中国传统文化对现代民俗心理的影响
11.The Status Quo of the Development of Chinese Video-film Folklore and the Problems still Existed;新时期中国影视民俗学的现状与问题
12.a photographer who operates a movie camera.操作电影摄影的摄影师。
13.Analyzes on the Factors That Affect National Culture Vicissitude in Folk Customs Traveling;民俗旅游影响民族文化变迁的因素浅析
14.The Effects of Folk Sports Culture on Leisure Sport Concepts of Urban Residents;民俗体育文化对城镇居民体育休闲观念的影响
15.An Analysis of the Influence of Making a Living on the Sea on the Customs in the Coastal Areas of Fujian and Taiwan;“以海为生”对闽台濒海地区民风民俗的影响
16.The Discussion about the Effect of the Minority nationality on the BeiJing Traditional Custom Culture;试论少数民族对北京传统民俗文化的影响
17.The Folk-culture Trend in Movies of China's Ethnic Minority Group中国少数民族题材电影中的民俗文化倾向
18.We take photos in a studio.我们在摄影棚摄影。
相关短句/例句
folk photography民俗摄影
1.The rising of folk photography is not only a technical event,but also a cultural one,reflecting the traditional customs that represent national and regional features recorded by arts in the current global and post-modern context.民俗摄影的崛起不仅是一个技术事件,也是一个文化事件,它反映了在全球化和后现代语境中,艺术想要表现和记录代表民族性和地域性的传统习俗。
2.In each kind of non-material cultural heritage protection class,the folk photography has an important role.在各种对非物质文化遗产的保护门类中,民俗摄影有着非常重要的作用,它真实、客观地记录和保存了民族独特的、有形的风俗习惯,集中突出地表现民族独特的文化精神,是对非物质文化遗产有效地传承与守护。
3)Chinese folk custom photography中国民俗摄影
1.Attention should be paid to research,complexity and reality so that we can promote Chinese folk custom photography.我们应该注意民俗摄影的研究性、复杂性、现实性 ,以促进中国民俗摄影事业的发展。
4)custom of shadow play影戏民俗
1.The scholar in the first instance of 20th neglected studying of the custom of shadow play and the relation of custom and shadow play.中国影戏的研究是在西方人文学术思想、学术理念,尤其是民俗学等的影响下开展起来的,但自其起始之初,人们对影戏民俗,以及影戏和民俗的关系并没有给予应有的重视。
5)folk-custom Movies民俗电影
6)folklore-image民俗-影像
1.In video-film works, considering from video-film perspective and time dimension, folklore-image belongs to one of timed-image which is polymerization image of both one\'s real image and imagined image, and by which subconscious images is visualized in the real image under the crystallized background.在影视艺术作品中,民俗-影像在性质上属于时间-影像,它是人类记忆的潜在影像在其现实影像中的现实化,是现实影像与其虚假影像的聚合。
延伸阅读
摄影4．直接成像彩色摄影摄影4．直接成像彩色摄影Photography 4. Instant Photography 化工百科全书第14卷化学工业出版社摄影4.直接成像彩色摄影shesheying摄zhijie ehengxiang eaise sheying 4.直接成像彩色摄影photography4·Instant Photography4.影赵凤玺北京电影学院1.2.2，1.2 .1.1.2 .1.2.2 .1 .3.2 .2.2 .3.2 .4.概述··········································……129原理··········································……130SX一70一步摄影彩色胶片的结构······……130负片部分··························，·········……130正片部分····································……131加工药液包·································……132彩色影像的形成···························……133波拉彩色影像成像························……134SX一70系统的照相机·····················……1343.举例·············~·······~···~·~··””····”·…1353.1.PR一10一步摄影彩色胶片··············……1353.1.1.PR一10胶片的结构，·······················……1353.1.2.PR一1。胶片的结构特点·········”·······……1363.1.3.显影过程和成色原理···················”……1363.2.波拉维申彩色电影体系···········“·“·……1373.2.1.波拉维申胶片的特点·····················……1383.2.2.波拉维申胶片的成色原理”···········””·…138基本参考文献··········································……1391.概述 胶片曝光后，不需进暗室冲洗印制，可立即获得彩色正像的彩色摄影过程称为“直接成像彩色摄影”，俗称“一步摄影”。它是利用扩散一转移的反转法原理获得影像的。 一步彩色摄影是在专门的照相机或摄影机内完成的。加工药品作为胶片单元的一个部分组合在一起，胶片曝光后，粘稠的加工药品立即被照相机的机械运动从药包中挤出而进入胶片层，其后的加工过程以一个单独的步骤，在胶片内密闭的条件下快速地进行。胶片被逐出相机后，一般可在几分钟内得到质量令人满意的彩色正像。
