1)ontological conceptions in literature文学本体观
1.The renewal of ontological conceptions in literature leads to the changes of literary currents,and further to those of creative principles and methods as well as of subject matters,literary forms,styles and critical criteria,so as to bring the transformation of literary theories and currents to completion.文学本体观念的更新导致文学思潮的演变,进而影响创作原则、创作方法乃至题材、体制、风格以及批评理论的演变,从而完成文学理论范畴的系统转换,并最终影响文学创作时代风尚的变迁。
英文短句/例句
1.Evolution of the view of literature proper and changes in the poetic styles during the Tang Dynasty;三唐五体:唐代文学本体观念的演变与诗风的变迁
2.Ontology of Literary Structure --On René Wellek s Theories of the Nature of Literature;文学结构本体论——论韦勒克的文学本质观
3.Comparison Between Sociocultural and Constructivism Ontology in Learning Theories;学习理论的社会文化观与建构观的本体论比较
4.The Ontological Text----Query on the Text s meaning The Enlightenment of Gadamer s Hermeneutics on the Idea of the Text;本体论文本——扣问文本的意义——伽达默尔哲学诠释学对翻译的文本观的启示
5.Development toward the Main Body of Literature--Analysis of the Novel Concept during the Six Dynasties of Wei and Jin;走向文学的本体——魏晋六朝小说观念解析
6.ON THE DIFFERENCE OF THE THEORY OF INGENIOUS COMPREHENSION WITH THE MORALIZING THEORY OF LITERATURE AND THE METAPHYSICAL THEORY OF LITERATURE;“妙悟”说对道德论和本体论文学观的反叛与超越
7.Noumenon Theory of Anthropology: from Culture, Society to Human Nature, Subjection-View on Universe --Part 1 of Research on Noumenon of Anthropology;人类学本体论:从文化、社会到人性、主观——主体观照——人类学本体研究之一
8.Paraphrasing Teaching Text - concurrently on Gadamer s Views on Text;教学文本释义——兼论伽达默尔文本观
9.Phenomenological Intuition and Its Inspiration and Significance to the Literature Ontology;现象学直观及其对文学本体论研究的启示与意义
10.An Analysis of the Ontology of Practical Existential Aesthetics and Literary Theories--Centering on the Relation Between Practice and Existentialism“实践存在论”美学、文艺学本体观辨析——以“实践”与“存在论”关系为中心
11.Text Understanding in Hermeneutic and Teacher Idea Change;解释学的文本理解观与教师观念变革
12.A Comparative Interpretation of the Linguistic Ontology and Literary Language Views of Both Liuxie and Aristotle;刘勰与亚里士多德语言本体论及其文学语言观的比较阐释
13.On Learning Mathematics in University--A Macro-text;论大学数学的学习——一个宏观文本
14.Commentary on Eagleton s Textual View under the Visual Threshold of Cultural Poetics;文化诗学视域下伊格尔顿文本观述评
15.“Text” of Oral History;口传的历史“文本”——黎族民间文学概观
16.On the Text and the Classics--Contemplation on Literary History in its Own Sense;论文本与经典——关于文学史本体的思考
17.Thenature of Literary under the Cultural Studies in the New Period新时期文艺学文化转向下的文艺本质观
18.The Textual and Cultural Relationship Reflected in Strategies of China s Rejuvenation Through Literature;《文学兴国策》所体现的文本、文化关系
相关短句/例句
the metaphysical theory of literature本体论文学观
3)the idea of literature文学的本体观念
4)essence view of literature essence文学本质观
5)literary ontology文学本体
1.The literary ontology, which is composed of multi-layered literary essences, various literary functions and varied literary categories, is of great applied value in literary practice as well as of much guidance in literary activi.由杨春时、俞兆平、黄鸣奋三位学者合著的《文学概论》在“新时期”众多的文学理论教材中独标一格,其最富于创造性的是对《文学概论》要讨论的对象——文学的本体,进行了多层建构,打破了长期以来对文学本质的单一的解释,使文学本体呈现为立体构成,“文学”的形象因而由模糊变得清晰。
6)literature noumenon文学本体
延伸阅读
文学发展观文学的发展是靠创新实现的，所谓发展就是在原有基础上的前进，这其中既有继承的成分，更有创新的成分，其中创新是矛盾的主要方面，它决定着文学发展的方向、内容和形式、范围和程度等等方面。因此没有创新，文学的发展就谈不上。创新： 随着生活的发展，为了反映新的审美特征、表达新的审美感受，从内容到形式，即从写什么到怎样写所进行的一场带革命性的变革。文学的创新是由文学生产的特性所决定了的，即个性化和多样化，对作家而言，既要突破别人，又要突破自己，否则文学就会千篇一律，即类型化，没有独创性，一味摹仿别人，就没有创新，没有创新就没有发展。
