文质观,ideas on relationship between content and form
1)ideas on relationship between content and form文质观
1.An inquiry into ideas on relationship between content and form reflected in rhetorical views of Yuan Songs;中华元典修辞学思想文质观探微
2)essence view of literature essence文学本质观
英文短句/例句

1.Ontology of Literary Structure --On René Wellek s Theories of the Nature of Literature;文学结构本体论——论韦勒克的文学本质观
2.Changing from Literariness to Entertainment:A Strategy of Deconstruction of Literary Essence View从“文学性”到“娱乐性”:一种解构文学本质观的策略
3.Mao Zedong’s Essence View of Literature & Its Contemporary Significance of Methodolog;毛泽东的文学本质观及其方法论的当代意义
4.Thenature of Literary under the Cultural Studies in the New Period新时期文艺学文化转向下的文艺本质观
5.The Concept of Autonomy in Literary Semiotics of Western Poetics and its Nature of Humanity;西方诗学中的文学符号自律观念及其人学本质
6.Intuitionistic Restoration of Essence of Phenomenology and German Literature Ideology现象学的本质直观还原与德国文学思想
7.Questioning the "New Literature" Orientation of The Collection of Chinese New-Vernacular Literature Works《中国新文学大系》的“新文学”本位观质疑——以学衡派的定位为例
8.A Talk on the Essential Traits of the“Beijing”School of Literature;从自由看“京派”——论“京派”文学观念的本质特征
9.On Oppugning to the “Utopia Character” of the Prospect Garden in the Dream of Red Chambers;“大观园”的“乌托邦性质”质疑——兼论文学研究的视角及“文本中心”地位
10.The Nature of Science and the Cultivation of Students Conception of the Nature of Science;科学的本质与学生科学本质观的培养
11.A Drifting Literature Essence: Eagleton s View--And Talk about Poetry Ethics;游离的文学本质:伊格尔顿的文学观——兼论诗歌伦理
12.Karl Marx's View on Technological Essence in His Cultural/Philosophical Perspective--Transcending the View on Technological Essence in Western Philosophy马克思技术本质观的文化哲学视阈——兼论对西方哲学技术本质观的超越
13.Paraphrasing Teaching Text - concurrently on Gadamer s Views on Text;教学文本释义——兼论伽达默尔文本观
14.Mathematics Essence·Epistemology·Mathematics View;数学本质·认识论·数学观——简评“对数学本质的认识”
15.Text Understanding in Hermeneutic and Teacher Idea Change;解释学的文本理解观与教师观念变革
16.The 100 Years Development of Subject Characteristics and Instruction Objectives Conception;语文学科性质观、语文教学目的观的发展百年
17.The Cultural Philosophy s Nature and its World Outlook and Life Outlook;文化哲学的性质及其世界观和生命观
18.Humanity: The Essence and Core of the Scientific Outlook on Development;以人为本是科学发展观的本质和核心
相关短句/例句

essence view of literature essence文学本质观
3)nature of art and literature文艺本质观
4)the language nature语文性质观
5)material culture landscape物质文化景观
1.The paper analyzes material culture landscape of campus from the aspects of its connotation,construction and educational function.校园物质文化景观作为一种隐性课程 ,以潜移默化的方式对学生产生巨大影响而受到教育工作者的普遍关注。
6)Nonmaterial Culture非物质文化景观
1.The Tourism Planning and Design of Nonmaterial Culture Landscape;非物质文化景观旅游规划设计
延伸阅读

文质  中国古代文论的基本概念和术语。它包括"文"与"质"两个方面。最早提出这个概念的是孔子:"质胜文则野,文胜质则史,文质彬彬,然后君子。"(《论语·雍也》)何晏《论语集解》引包咸注:"野,如野人,言鄙略也。史者,文多而质少。彬彬,文质相半之貌。"邢昺疏:"文华质朴相半彬彬然,然后可为君子,"孔子又说:"文,犹质也;质,犹文也。"(《论语·颜渊》)原来是就一个人的内在品德及言谈举止说的。"文"指外在表现,"质"指道德品质。这是一方面的意义。后世文论沿用"文"、"质",在许多情况下是指语言风格范畴的华美和质朴,如萧绎《内典碑铭集林序》说:"夫世代亟改,论文之理不一,能使艳而不华,质而不野。"又如苏轼论陶渊明诗的特点,称"质而实绮,癯而实腴"(《与苏辙书》)。再如后世的"尚质"、"尚文"之说,等等。    但"文质"运用到后来的文论上,也还有另一方面的意义。即"文"指辞采、表现,大体上相当于今人所说的作品的形式;"质"则指内容。由于文学风格上的华美和质朴,最终是与作品的内容和形式紧密相联系的,所以这一点对后世的影响也很深远。如刘勰在《文心雕龙》中评论有些作家作品时所用的"文"、"质"概念,就是从作品内容与形式的统一上立论的。很多著名的作家和理论家如韩愈、柳宗元、欧阳修以至黄宗羲、叶燮等,对形式与内容的关系也都有精辟的论述。    尽管"文质"具有艺术风格和形式内容方面的意义,但不论从风格的华美与质朴方面看,或从内容与形式的关系方面看,很多有成就的作家和理论家,都是在强调"质",即强调质朴或内容的前提下,要求华、朴相济,"质"、"文"兼备的。不过在文学理论和创作实践中,也常常有偏尚质朴、偏重内容或偏美辞藻、偏于形式的倾向。