1)Qupai曲牌
1.On the Change of Traditional Qupai——Dazaogan;传统曲牌[打枣竿]的嬗变
英文短句/例句
1.This article will first discuss" Qu Fai Ti", looking at different scholars' definitions of" Qu Pai Ti".其三、曲牌的性格、牌的名称来源以及曲牌的运用与发展等方面，提出笔者对曲牌体的看法。
2.Paizi qu, or folk tunes, had their historical origin chiefly in the folksongs of the south.牌子曲，顾名思义，是由历来的南北小曲(曲牌)作为音乐主体的，
3.Paizi qu broke out of the mold of the northern and southern music, which was limited to sets of gong diao music,牌子曲突破了南北曲只用同宫调曲牌入套的限制，
4.The Impact of Literati lyric on Nanbeiqu Melody in Ming and Qing Dynasty;论明清时期文人曲词对南北曲曲牌定腔的影响
5.On the Characteristics of Sentence Structures and the Categories of Changyang Nanqu Qupai "Nanqu Tail";长阳南曲曲牌[南曲尾]曲词句式特点与分类之再分析
6.The significance of the qu tunes lies not merely in their musical material,曲牌产生的意义并不在于仅仅将曲牌作为音乐素材，
7.Small Tunes (Xiao chang) in Ming Dynasty Story- Telling;明代的“小唱”——从《金瓶梅词话》中唱曲牌的曲艺谈起
8.Wei Liangfu, Tang Xianzu and Jiang Baishi --Relationship between Quchang and Qupai;魏良辅·汤显祖·姜白石——“曲唱”与“曲牌”的关系
9.A Study on the Tune Sort of Shizi Xu in Nanqu Jiugong Zhengshi;《南曲九宫正始》[狮子序]曲牌的宫调归属论析
10.Five Clappers is a representative northern bangdi piece of music. It was originally an instrumental qu tune, common in North China.《五梆子》，原为华北地区流行的器乐曲牌，
11.Primary Investment and Analysis to Regional WuShengFo (a Kind of Music Rhythm);对各地《五声佛》曲牌的初步考察与分析
12.A Research on the Standardized Form of Tune Name of Jiangxi Yiyang Tune (Zhuyunfei);论弋阳腔〔驻云飞〕正体曲牌音乐特征
13.Research on Relation between Tunes Name and Tune of Two Gaoqiang Tunes of Jiangxi Opera;赣剧两路高腔曲牌和腔调关系的研究
14.A Quantitative study on the Yuan Dynasty s drama tunes and melodies;元杂剧宫调、曲牌运用情况的量化研究
15.The Musical Meaning of the Music for Voice of Qu Pai in Tang Xianzu s "the Opera of Handan;汤显祖《邯郸记》曲牌唱腔音乐意义
16.Sihe Ruyi, also known simply as Sihe, is a qu tune medley composed of eight interrelated parts.《四合如意》(又称《四合》)，是由8首曲牌联缀而成的大型套曲，
17.Pure percussion qupai tunes are found in the music of every part of China.各地的乐种中都有许多纯粹的打击乐器曲牌。
18.The Relationships Between Danxianr and the Origins of Changyang South Opera;单弦牌子曲与长阳南曲渊源关系探讨
相关短句/例句
qupai (the names of the tunes)曲牌
1.The papers explained mainly the instruments and performance of the wei drum, and its artistic feature such as qupai (the names of the tunes), tone, especially the performance way of the eight players, which almost lost nowadays.本文着重论及了围鼓的乐器和演奏 ,以及曲牌、音调、特别是即将失传、珍贵的“八人班子”等的艺术特色。
3)Tune[英][tju:n][美][tun]曲牌
4)music brand曲牌子
5)gongdiao and qupai宫调曲牌
6)the auxiliary tune name辅调曲牌
延伸阅读
曲牌曲牌中国传统填词制谱所用的曲调调名的统称。俗称牌子。古代词曲创作，原是“选词配乐”，后逐渐将其中动听的曲调筛选保留，依照原词及曲调的格律填制新词，这些保留的曲调仍多沿用原曲名称，如〔虞美人〕、〔后庭花〕等，遂成曲牌。从汉魏乐府、唐宋词以至金元剧曲、散曲、明清俚曲，曲调屡有增减。明沈璟《九宫词谱》共列曲牌685种，清乾隆十一年(1746)编辑的《九宫大成南北词宫谱》汇集南北曲曲牌2094种，其中同名异体者共达4466种。每支曲牌唱腔的曲调，都有自己的曲式、调式和调性，以及本曲的情趣。曲牌有长有短，节拍有定有散，但都有首有尾，自成起讫。曲牌牌名来源不一，有以地名命名者，如〔梁州序〕、〔福州歌〕等；有以节拍特点命名者，如〔长拍〕、〔短拍〕等；有以曲式结构命名者，如〔三段子〕、〔四换头〕等；有以来源命名者，如〔文序子〕、〔卖花声〕等；尚有少数民族语言的音译，如〔魔合罗〕、〔拙鲁速〕等。曲牌原为声乐曲，而在戏曲改用器乐演奏时，遂演变为器乐曲牌。《钦定曲谱》书影（清刻本）
