1)history play of the war of resistance抗战历史剧
2)historical anti-war drama抗战史剧
1.Guo Moruo s historical anti-war drama pursues universality on resources and conception,which mainly reflect the view of life and death that mankind cares permanently.郭沫若的抗战史剧,选材立意追求普遍性,突出表现为反映人类永久关心的生死问题。
2.Guo Moruo s historical anti-war dramas have greatly displayed this essence.郭沫若的抗战史剧,便具有这种优秀品格。
英文短句/例句
1.Japanese Culture Factor in Guo Moruo s Historical Plays Written during the War of Resistance;论郭沫若抗战史剧中的日本文化因素
2.Guo Moruo's historical anti-war dramas have greatly displayed this essence.郭沫若的抗战史剧，便具有这种优秀品格。
3.The Poetic Emotion and Sentiment of Guo Moruo s Play in the War of Resistance Period;郭沫若抗战时期历史剧中的诗情诗意
4.On the Inspiring Effect of Guo Moruo s Historical Dramas during the War of Resistance Against Japanese Aggression;试论郭沫若抗战时期历史剧现实战斗性的实现
5.The Emotive Features of Guo Moruo s Chronicle Plays During Anti-Japanese Invasion War;郭沫若抗战时期历史剧的情感特征透视
6.On Product of Individual Experience of Life;个体人生体验的积淀——抗战时期大后方太平天国历史剧发生论
7.Politics and Literature:the Splitting and Coinciding of Double Status--On the Chronicle Plays of Guo Muoruo s During the Anti-Japanese War;政治与文学:双重身份的分裂与重合——论郭沫若抗战时期的历史剧创作
8.Comparative Study on Chongqing War Dramas and US Anti-fascist Dramas;重庆抗战戏剧与美国反法西斯戏剧比较研究
9.We do not intend to deepen the engagements or widen the confrontation.我们并不想使交战加深，或使对抗加剧。
10.The Clairvoyance of Historical Logic on Anti-Japanese War and National Liberation War抗日战争与解放战争的历史逻辑透视
11.Historic Enlightenment from United Front of CPC in the War of Resistance Against Japan;抗日战争中统一战线工作的历史启示
12.Rising and Prosperity:Indonesian Chinese-Language Drama during and Shortly after the Anti-Japanese War;振兴与繁荣:抗战及战后初期的印尼华文戏剧
13.The Chinese Communists Studies on the History of the War against Japanese Aggression in the Period of This War and Their Historical Enlightenment;抗战时期中国共产党人的抗战史研究及历史启示
14.An Initiative Masterpiece in the Studies of the Anti-Japanese War History of Yunnan;一部开创性的云南抗日战争史研究著作——《云南抗日战争史》评介
15.World War Two was a sad episode in human history.第二次世界大战是人类历史上的一场悲剧。
16.A Brief Comment on the Oral-history Operation简论口述史的操作——以山西抗战口述史为例
17.Reflections on the Status of Education about the History of the Chinese War of Resistance Against Japan in the Teaching of History in Secondary Schools;中学历史教学中抗日战争史教育现状的思考
18.Historical Education During the Anti-Japanese War as seen in Xu Wenshan s LISHI JIAOYU LUN;抗战时期的历史教育与徐文珊的《历史教育论》
相关短句/例句
historical anti-war drama抗战史剧
1.Guo Moruo s historical anti-war drama pursues universality on resources and conception,which mainly reflect the view of life and death that mankind cares permanently.郭沫若的抗战史剧,选材立意追求普遍性,突出表现为反映人类永久关心的生死问题。
2.Guo Moruo s historical anti-war dramas have greatly displayed this essence.郭沫若的抗战史剧,便具有这种优秀品格。
3)the Anti-Japanese War scenes抗战历史图景
1.This thesis for the Doctorate discusses the times changes of the Anti-Japanese War scenes in the contemporary novels.本文意在考察现当代小说中抗战历史图景的时代变迁问题。
4)Historical Drama历史剧
1.On the Inspiring Effect of Guo Moruo s Historical Dramas during the War of Resistance Against Japanese Aggression;试论郭沫若抗战时期历史剧现实战斗性的实现
2.Between History and Reality-Adaptation strategies of the historical drama The Orphan of the Zhao s;在历史与现实之间——历史剧《赵氏孤儿》的改编策略
3.As a historical comedy,it was a breakthrough against the former type of narrow minded view on historical dramas.作为历史剧 ,《孟丽君》突破了当时狭隘的史剧观 ,其娱乐化的喜剧审美倾向在沉闷的十七年剧坛中具有另类的创新意义。
5)historical play历史剧
1.On The Model Significance of The Palace of Eternal Life and The Peach Blossom Fan in the Creative Patterns of Historical Plays;论《长生殿》、《桃花扇》在古代历史剧创作中的典范意义
2.Subject of the Guo Moruo s historical play Peacock Gallbladder;论郭沫若历史剧《孔雀胆》的主题
3.On the Female Images in GUO Muo-ruo s Historical Plays;试论郭沫若历史剧中的女性形象
6)chronicle play历史剧
1.The Emotive Features of Guo Moruo s Chronicle Plays During Anti-Japanese Invasion War;郭沫若抗战时期历史剧的情感特征透视
2.The order factor is important connotation of realistic solicitude significance in Shakespeare chronicle play.莎士比亚的历史剧,特别是他的"第一个四部曲"就体现了这种悲剧的内涵。
3.On the other side,It is becoming another important aesthetics principle of audience who are interested in viewing the play because they find the same feeling between the chronicle play and the real society.现今,当代性一方面成为历史剧创作者的一个重要的美学原则——剧作家在对历史的阐述中表达对现实的思考;另一方面也成为观众对历史剧欣赏的一个重要的美学标准——观众往往因为在历史剧中发现与现实的相通之处而增加观赏的兴趣。
延伸阅读
《目前抗战危机与坚持华北抗战的任务》《目前抗战危机与坚持华北抗战的任务》Present Crisis in the War of Resistance and Task of Persevering in the War of Resistance in North China lchi妊esis-Zrof关于题的6日浅于第1司恩Muqian Kangzhan Weiii yu JiaHuQbei Kangzhan de Renwu《目前抗战危机与坚持华北抗战务》(P resent crisis inth‘wa:of，tanee and Task ofPersevering in rhe们Resistance in NOrth China)周，恩来抗日战争形势和如何坚持华北抗战值军事著作。是周恩来于1937年n月在山西临汾群众大会上的演讲。刊1937年12月出版的汉口《群众》周干卷第2期。收入1980年12月出版的<来选集》上卷。 1937年11月8日和12口，太厉海相继失守。为唤起人民坚持华北拍信心，周恩来做了这篇演讲。全文共3内容。第1部分，目前抗战形势及其)该文指出，在太原、上海失守后，抗品出现了妥协调停空气逐渐抬头的危机召要为克服这些危机而奋斗。第2部交持华北抗战的可能及其前途。强调指汁持抗战必须以坚持华北抗战为中心。事上，中央政府应增加生力军到华Jt侧后，改变专守防御的战略战术，动丘民众参战。八路军是推动和领导华北抗战的重要力量。坚持华北抗战将以战争为主体，华北游击战争有着胜和途。第3部分，坚持华北抗战中我{I’_务。第一是改造军队。改造旧军，成军，其组织必须适合山地运动战和战，采用三三制;建立政治工作制度;部队生活;部队指挥要给以独断专行力，使其能独立作战;改变战略战术，识现在是运动战，是游击战，争人不有要建立各部队的后方。第二是开放政杠行民主政治，地方自治自给。第三是月运。要宜传、发动、组织和武装民众。是肃清汉奸，坚决反对投降主义、失贴及特殊化的倾向。 《目前抗战危机与坚持华北抗战务》对于抗日战争初期华北游击战争献起了一定的指导作用。(胡哲上的分叭势号坚坚军人大久击前任新击善权认鱿实民四义二如邻湘歇，!宝玫卜夺狰自自苏奈奕白到地一浏翱七任展自父日
