1)Yue Hu越剧主胡
1.The author attempts to analyze the combination of the accompanying instrument with the orchestra, with the interlude of Yue Opera as the material, as well as the Yue Hu as the solo instrument.运用戏曲素材来进行音乐创作是中国作曲家常用的一种方法,但以戏曲伴奏乐器作为独奏的管弦协奏曲却不多见,为此,笔者以越剧过门为材料,选用越剧主胡为独奏乐器,对戏曲伴奏乐器与交响乐队的结合作了相应的尝试。
英文短句/例句
1.On the Composing Techniques of Three Impressions of Shaoxing Opera Composed for Zhu Hu and Orchestra越剧主胡与管弦乐队《越剧印象三则》中的创作技法
2.The theatre, and the public-house, were the chief themes of the wretched man's wanderings.剧场，酒店，是这可怜人胡言乱语的主要题目。
3.Historical superiority of Hu Jintao s people oriented thought over humanitarian;胡锦涛的以人为本思想对人道主义的历史超越
4.On Husserl s Transcendental Phenomenology and the Western Traditional Subjectivism;胡塞尔的超越论现象学与西方传统主体性哲学
5.a slapstick comedy [motion picture]胡闹喜剧 [影片]
6.The Surmounting and Returning to Realistic Tradition of Drama by Ma Sen;马森对话剧现实主义传统的超越与回归
7.The deal was signed during the first visit to Vietnam by Hu Jintao, the Chinese president.这一协议是中国国家主席胡锦涛首次访越期间签署的。
8.Field of Vision in Canadian Literature;超越时空的想像——休·胡德与华兹华斯浪漫主义对比研究
9.Hu Shi and Western Dramas (1910-1917);胡适与西方戏剧(1910—1917)
10.Transcendence from the Humanism--A Study of Tragic Consciousness about Altmatov s Novel;人道主义的拓宽与超越——艾特玛托夫小说的悲剧意蕴探微
11.Succeeding to Theme and Breaking through Forms--An Analysis on Classical Texts of Chinese Urban Sentimental TV Plays;主题传承与形式跨越——中国都市言情剧经典文本分析
12.The Abnormal Love beyond Morality--An Exploration of the Tragic Lot of the Hero and Heroine in Lolita;超越道德界限的不伦之恋——《洛丽塔》男女主人公悲剧命运剖析
13.The gaohu was used as the lead instrument or for special renditions.主奏或特性乐器是高胡，也称粤胡、南胡，
14."In the first half of the 19th century, as the popularity of the new Peking Opera increased, four 'Great anhui Companies' dominated the Beijing stage."19世纪前半期，新出现的平剧越来越流行，四大徽班主宰了京城的舞台。
15.German composer of French operas, notably Les Huguenots(1836).梅耶贝尔，贾科莫1791－1864德国法语歌剧作曲家，主要作有胡格诺派教徒（1836年）
16.Do you get a clear idea of the main characters, BUTCH and THE MUSTACHED MAN? How they move? How they think, perhaps?你了解剧中主要人物布奇和小胡子男人吗？他们怎么行动？也许，他们如何思考问题？
17.Preliminary Probe into Musical Thoughts of 100-year Shaoxing Opera-On the 100~(th) Anniversary of Shaoxing Opera;百年越剧音乐思想初探——写在越剧华诞百年之际
18.Transcended Tragedy and Transcendence of Tragedy--On Modernism in the novel The Midnight;超越的悲剧与悲剧的超越——论《子夜》的现代性
相关短句/例句
Yueju erhu越剧二胡
3)Shaoxing opera越剧
1.On the extension of contemporary artistic charm of Shaoxing Opera;论越剧现当代艺术魅力的延展
2.Contemporary Shaoxing opera is going through the pluralistic development of the artistic form.对当代越剧而言,正经历着艺术形态的多元化发展阶段。
3.The development of the times requires Shaoxing opera to keep pace and seek breakthrough in inheritance and innovation.时代发展要求越剧主动适应时代特点,在传承与创新中寻求突破。
4)Yue opera越剧
1.Position and Prospect of Yue Opera in the New Century越剧新世纪的定位与展望
2.On the Spirit of Singing Creation and Establishment of Yue Opera School论演员的创腔精神及越剧流派的创建
3.As a component of the Yue culture,Yue opera reflects,in many ways the depth and richness of the Yue culture.越剧作为越文化系统中的一个组成部分,以多种手段、多种形式体现出越文化的丰富内涵,该文从越文化孕育了越剧的产生,越剧对越文化的体现与解读两个方面探讨了越剧与越文化的关系。
5)Yueju Opera越剧
1.On Performance of Yueju Opera浅谈越剧表演的沿革与特色
2.The intention of writing this paper is to illustrate the spread of Yueju Opera in the main prevalent regions and make analysis on the influencing factors.本文撰写之目的,在于阐述越剧在各主要流行区域的传播情况和影响因素分析。
6)Banhu in Henan Opera豫剧板胡
1.On Banhu in Henan Opera and lts performance ART;谈豫剧板胡及其演奏艺术
延伸阅读
越剧越剧中国戏曲剧种。因起源于浙江绍兴地区嵊县一带，即古越国所在地，故名。由说唱艺术落地唱书发展而成。光绪三十二年(906)春节，嵊县农村6名说唱艺人首次化装登台，只用笃鼓、檀板按拍击节，的笃之声不断，故称的笃班。之后迅速在浙江农村流传。1916年进入上海。1921年以绍兴文戏名义在踦平歌舞台演出。在唱腔上吸收了绍剧等音乐成分，丰富板式，创制了倒板、快板、清板、还阳调等。表演上也吸取绍剧、京剧之长。从此男班进入黄金时期。1928年起，女子文戏科班大量涌现，依女声音域创造出四工调，曲调流畅，加之扮相俊美，故很快取代了男班，盛行于上海、浙江。1938年以越剧之名替代女子文戏。越剧以演出才子佳人戏为主，如《梁山伯与祝英台》、《碧玉簪》、《西厢记》、《红楼梦》等，形成了一种优美抒情、诗情画意的独特风格，而且不断开拓题材和表现能力，演出了《祥林嫂》等现代戏，迅速发展成为全国性剧种，并多次出国演出。越剧《红楼梦》剧照（徐玉兰饰宝玉，王文娟饰黛玉）
