1)Yue Ji《乐记》
1.On the Characteristics of Aesthetic Theory Structure of Yue Ji;论《乐记》美学理论建构的特点
2.Some Knowledge about the Theory of Human Nature in Yue Ji;《乐记》人性论思想浅议
3.The Manifestations of the Aesthetic Ideology of "Harmony" in Yue Ji;《乐记》“和合”美学思想的表现形式
英文短句/例句
1.On’Only Music couldn’t be Pseudo’in The Record of Music--From the Perspective of Relationship Between Music and the Mind;从乐心关系看《乐记》的“唯乐不可以为伪”
2.Two Music Aesthetics:Influence of Yi Zhuan and Xun Zi on the Music Aesthetics in Yue Ji;《乐记》中的两种音乐美学观——《易传》和《荀子》对《乐记》音乐美学思想的影响
3.On The Book of Music to The inheriting and Development of Music Theory;论《乐记》对《乐论》的继承与发展
4."Music Curing Heart"--On the Aesthetic Education Ideas in the Classical Music Record;“致乐以治心”——论古典《乐记》的美育思想
5.The Comparison of Music Aesthetics between Nature Originates from Heaven and Yueji;郭店竹简《性自命出》与《乐记》乐论比较谈
6.On Universal Human Values of Music Aesthetics in Yue Ji(Records of Music);论《乐记》音乐美学的人类普遍价值
7.Happiness and Harmony Between Earth and Heaven"--The Artistic and Philosophical Thoughts of 乐记;“大乐与天地同和”——《乐记》的艺术哲学思想
8.Musical Essence and Moral Music: The Social Functions of the Harmony between Li and Yue from
9.Basic Conception of Yueji Music Philosophy and It s Relative Comparative Studies;《乐记》音乐哲学的基本理念及其相关比较研究
10.He is skilled in music [in keeping accounts].他精于音乐 [记帐] 。
11.I forgot to bring my music book.我忘记了带我的乐谱。
12.This music brings back memories.音乐唤起了我的记忆
13.by ear:by sound,without ever reading printed music of the pieces played不看乐谱凭听觉记忆
14.The music vibrates in the memory.音乐声萦绕在记忆中。
15.Memories of happy days remain with us.快乐时光的记忆尚在。
16.Music Life in Vienna二十世纪音乐城记之二 维也纳音乐城记
17.The Materials of Versions about Yue Ji in Li Ji;汉初《礼记·乐记》的版本材料与成书问题
18.On the Implication of "Chronicle of Fengle Pavilion" and "Chronicle of Zuiweng Pavilion";论《丰乐亭记》和《醉翁亭记》的意蕴
相关短句/例句
Yueji《乐记》
1.History and Reality of the Philosophical Thinking:Harmony but Dissimilarity in Yueji;《乐记》“和而不同”哲学思维的历史与现实
2.The Comparison between Huainanzi and Yueji in Theory of Material-Stimulus-Generating-Emotion;《淮南子》和《乐记》的“物感说”比较
3.Yueji s Comment on the Function Music Education;《乐记》论音乐教育的作用
3)The Record Of Music《乐记》
1.On the Author and the Writing Time of The Record Of Music;再论《乐记》的作者与成书年代
2.On the Aesthetic Connotation of the Category "Qi"in The Record of Music;论《乐记》“气”范畴的美学内涵
4)YueJi乐记
1.On the Compiling of "YueJi" and Its Historical Characteristics;论《乐记》的成书及其材料的时代特征
2.The Art′s Subject-Object Relationship in Yueji;《乐记》“心物关系论”的美学诠释
5)Yue Ji乐记
1.On the Research of the Thought of Literary Criticism in Yue Ji;《礼记·乐记》文学批评思想探讨
2.Yi Zhuan s influence on the musical aesthetic ideology in Yue Ji : Simultaneously on the two incompatible aesthetic outlooks in Yue Ji;《易传》对《乐记》音乐美学思想的影响 ——兼谈《乐记》中两个相互游离的美学观
6)Book of Ritual and Music《礼记.乐记》
延伸阅读
《乐记》《乐记》中国儒家音乐理论专著。西汉成帝时戴圣所辑《礼记》第十九篇的篇名。全文由《乐本篇》、《乐论篇》、《乐礼篇》、《乐施篇》、《乐言篇》、《乐象篇》、《乐情篇》、《乐化篇》、《魏文侯篇》、《宾牟贾篇》、《师乙篇》等11篇构成。内容涉及音乐的许多方面，指出对音乐的形成是物动心感，即认为音乐是主观受到客观影响的结果。并说“唯乐不可以为伪”，即音乐是真情的流露。对音乐的作用，认为是社会教育的工具，不同的对象对音乐的接受能力不同，产生的效果也不同。它竭力提倡雅颂之声(雅乐)，竭力反对郑卫之音(俗乐)。《乐记》所反映的音乐思想，是和中国封建社会的日臻成熟相适应的。《乐记》的作者，后世尚有汉武帝时的河间献王刘德与战国中期的公孙尼子等不同说法。
