嵇绍,Jishao
1)Jishao嵇绍
1.The relation between the idea of following social customs of Jikang and Jishao s being an official in the Jin Dynasty;论嵇绍仕晋与嵇康“顺世随俗”思想之关系
英文短句/例句

1.The relation between the idea of following social customs of Jikang and Jishao s being an official in the Jin Dynasty;论嵇绍仕晋与嵇康“顺世随俗”思想之关系
2.Ji Kang s Life and Development of Collections of Ji Kang;嵇康的生平事迹及《嵇康集》的传播源流
3.The Collision Between Outlooks on Life of Metaphysics;两种玄学人生观的碰撞——读嵇康嵇喜的赠答诗
4.On the Metaphysical Implication of Ji Kang s Musical Ideas;走出嵇康乐论研究的误区——也谈嵇康“声无哀乐”的思想意蕴
5.Ji Kang:Taoism or Confucianism--A critical review of his thoughts of music esthetics;嵇康是“儒”还是“道”——评嵇康音乐美学思想的影响与贡献
6.Ji Kang in the View of Ecological Aesthetics生态美学视野中的嵇康——试论嵇康美学的生态智慧及其当代意义
7.Ji Kang s "Breakup Letter to Shan Juyuan" Is Not Actually a Breakup Letter;嵇康《與山巨源絶交書》非絶交之書論
8.Aesthetic Conceptions Seen through Ji Kang s Poems;从嵇康诗中透视魏晋士人的审美理想
9.Aesthetic Ideology against Confucianism in Jikang s Sound without Dirge;嵇康《声无哀乐论》中反儒学的美学思想
10.An Annotation to "Zi Yu s failure" in Ji Kang s 幽愤诗;嵇康《幽愤诗》“子玉之败”句箋释
11.On life ideal and it’s Aesthetic meaning of Jikang and Ruanji;嵇康、阮籍的人生理想及其美学意蕴
12.Heavily Supass--A Dicuicom of Seclusive Poems of Ruan Ji and Ji Kang;超越中的沉重——论阮籍、嵇康隐逸诗
13.Explore of Tian-lian :Research of Ancient Musicians in Qinfu written by Jikang;“田连”考——嵇康《琴赋》中的上古乐人发隐
14.The Harmony Aesthetical Ideology in Ji Kang s No Sadness in Music;论嵇康《声无哀乐论》的“和”美学思想
15.On the succession and development of The Book of Songs by Ji Kang s four-character poems;论嵇康四言诗对《诗经》的传承与开拓
16.On JI Kang s Qin Fu;自然至响 千秋绝调——嵇康《琴赋》论
17.Exploration on the Composing Time of JI Kang s “The Letter to SHAN Ju-yuanin Breaking Off Relations";嵇康《与山巨源绝交书》写作时间考
18.Projecting of life ideas: Ji Kangand his sages and men of virtue Biography;生命理念的投射:嵇康与《圣贤高士传赞》
相关短句/例句

Ji Kang嵇康
1.The Health Preservation Idea of Ji Kang;嵇康“导养得理”的养生思想
3)Ji Xi嵇喜
4)Jikang嵇康
1.Aesthetic Ideology against Confucianism in Jikang s Sound without Dirge;嵇康《声无哀乐论》中反儒学的美学思想
2.Inheritance and Breakthroughs of Jikang s Techniques in Argumentative Essays;试论嵇康论说文艺术的继承与突破
3.On the Aesthetic Ideaology in Jikang s Music;略论嵇康的音乐美学思想
5)Jiqin嵇琴
1.An On-the-spot Investigation on the Name of Xiqin,Jiqin and Erxian奚琴、嵇琴、稽琴、二弦名实考
6)Ji Family嵇氏家族
1.The Healthy Evolution Idea of Ji Family in Wei and Jin Dynasties;魏晋嵇氏家族养生观的嬗变
延伸阅读

嵇含Ji Han嵇含(263~306)西晋文学家。字君道,自号亳丘子。谯国县(今安徽宿县)人。嵇康侄孙。历任征西参军、骠骑记室督、尚书郎等职。永兴元年 (304)为范阳王召为从事中郎。不久授振威将军,襄城太守。败,嵇含投奔镇南将军刘弘,受到上宾之礼,表荐嵇含为平越中郎将、广州刺史;未行。永兴三年(306),刘弘去世,嵇含为怨敌所害。 嵇含好学能属文,性格刚直。史载,弘农王粹以贵公子尚主,馆宇华美,绘庄周像于室,广集朝士,让嵇含作赞。嵇含认为“载退士于进趣之堂,可谓托非其所,可吊不可赞”,援笔为文,文不加点,对“野无讼屈之声,朝有争宠之叹,上下相陵,长幼失贯,于是借玄虚以助溺,引道德以自奖”的时尚作了辛辣的讽刺。今存诗仅两首完整。《悦晴》描写雨后景象:“劲风归巽林,玄云起重基;朝霞炙琼树,夕景映玉枝”,是今存较早的通篇写景的五言诗。《伉俪》诗细腻地描述夫妻恩爱,如“饥食并根粒,渴饮一流泉”;“朝采同本芝,夕掇骈穗兰”等,以对偶的句式、夸张的比喻来强调感情之深笃,表现出乐府民歌的影响。 《隋书·经籍志》录有《嵇含集》10卷,已佚。今存诗文收入严可均《全上古三代秦汉三国六朝文》及逯钦立《先秦汉魏晋南北朝诗》。                 韦凤娟