1)Miao ancient songs苗族古歌
1.In this paper,Context as the research perspective,and Miao ancient songs will be placed in dynamic three-dimensional space,so that the live version of traditional concert whitch behind the text of "that this ancient singing"would be declined.本文以语境为研究视角,将苗族古歌置于动态的立体空间,从而发现《说古唱今》文本背后活形态的古歌演唱传统的式微。
英文短句/例句
1.On the Hidden Text Decoding of the Miao's Ancient Songs:A Case Study of Qiandongnan Prefecture苗族古歌的潜文本解读——以黔东南苗族古歌为个案
2.A Rethink on “A Brief Analysis on Myth of the Sun andthe Moon in Ancient Songs of the Miaos”;对《苗族古歌日月神话浅析》的再思考
3.Moral Thought from the Original Myth to Practical Living--the Influence of the Miao's Ancient Songs on Individual Character of Miao Nationality由原始神话到现实生活的道德思考——浅谈苗族古歌对苗族个体品德的影响
4.Ancient Song--An Oral Hand-Down of Habit of Miao People in Southeast Guizhou古歌——黔东南苗族习惯法的一种口头传承形式
5.How Nationalities Memorize--Reflection on Nationalities History Transmission from the View of Miao Nationality Guge and Finery;民族如何记忆——从苗族服饰与古歌看民族历史的传承
6.The National Characteristics and Art Character of the Miao Feige(flying song)贵州“苗族飞歌”的民族个性与艺术品格
7.Thoughts on the Protection and Explosion of Miao Songs and Dong Songs;对苗族飞歌、侗族大歌保护与开发的几点思考
8.A Survey on Characteristics of Miao Ethnic Group s and Tujia Ethnic Group s Folksong in Baojing County of Western Hunan;湘西保靖县苗族、土家族民歌族性特征调查研究
9.The Spread of Mongolia Folk Song: As Pastoral for an Example;从《牧歌》看蒙古族民间歌曲的流传
10.On the Ancient Songs of Ba People --An Interpretation of the"Lin Song"of the Tugia People;巴人古歌试释——土家族《廪歌》考辨
11.Guizhou Xijiang Miao Myth of History Songs Life Aesthetics Meaning贵州西江苗族神话史歌生命美学意蕴
12.The Artistic Features and Singing of Marriage Songs in Chengbu County城步苗族婚嫁歌曲艺术特征及其演唱
13.An Approach on the Ancient Mongolian “doo? berih" System and the “doo berih Songs";试谈蒙古族古代“把话”制度与“把话歌”
14.A Study on the Cultural Ecology and Performing Characteristics of the Folk Songs of the Miao and Dong Nationalities;苗族与侗族民歌的文化生态与演唱特点研究
15.A Recomment on the Problems in the Studies of Chiyou and the Origin of the Miao Nationality --One of the Comments on the studies of the Ancient History of the Miao Nationality;重评蚩尤与苗族族源研究中的几个问题——苗族古史研究述评之一
16.A New Textual Research in the Ancient Sanmiao:From the Perspective of the Relationship Between Sanmiao and Southern Nationalities and Chu;古“三苗”新考——兼论“三苗”与南方诸族及楚国之关系
17.A Comparative Study of the British Epic"Beowulf" And the Miao s Epic"Zhang Xiumei";不列颠民族英雄史歌《贝奥武甫》与苗族史歌《张秀眉》的对比研究
18.Traditional Sacrifice to Ghosts by the Miao and Yao Ethnic Group and Blood Sacrifice in the Ancient Han Nationality: A Comparative Study;苗瑶民族的“祭鬼”与古代汉族的血祭比较研究
相关短句/例句
the Miao's epic苗族史歌
3)Miao Songs苗族飞歌
1.Thoughts on the Protection and Explosion of Miao Songs and Dong Songs;对苗族飞歌、侗族大歌保护与开发的几点思考
4)Miao national minority folk song苗族民歌
1.The Miao national minority folk song is one kind of artistic form which in the Miao national minority culture is characteristic, it is Miao national minority s national characteristic centralism manifests.苗族民歌是苗族文化中独具特色的一种艺术形式，是苗族的民族性的集中体现。
5)Miao Ancient Kingdom苗族古国
6)BuYi people's epic布依族古歌
延伸阅读
古歌今古歌今，原名刘发俊，甘肃临洮人。中共党员。1948年毕业于甘肃省临洮高级农校。1949年参加解放军，任第一野战军第一兵团军政干部学校学员，二军教导团维语学员，1952年转业后历任南疆区党委宣传部干部，新疆自治区党委办公厅、宣传部干部，新疆作家协会民间文学组组长，新疆民间文艺家协会副主席，译审。新疆文联第三届委员，中国民间文艺家协会第四届理事，新疆《玛纳斯》编委会委员、副主任，中国《玛纳斯》研究会副会长。曾获国家文化部、国家民委《玛纳斯》突出贡献奖、全国民族团结先进个人。1957年开始发表作品。1990年加入中国作家协会。
