张艺谋,Zhang Yimou
1)Zhang Yimou张艺谋
1.Establishment and Re-consideration of Zhang Yimou s Movie Brand;张艺谋电影品牌的建立及其反思
2.Application of Zhang Yimou s Movie Creation Approach to Creation of Ballets;试论张艺谋电影创作手法在舞剧创作中的运用
3.On Zhang Yimou s Aestheticism——A Review of Movie House of Flying Daggers;张艺谋电影的唯美倾向——评《十面埋伏》
英文短句/例句

1.She was a favorite of the famous director Zhang Yimou.她是张艺谋的红人。
2.On Two Rhetoric Art of Zhang Yimou s Film Creation;试论张艺谋电影创作的两种修辞艺术
3.Zhang already had a clear idea of what he wanted.张艺谋截然不同,他总是胸有成竹。
4.This is the first time Zhang has worked with Hong Kong actors.这也是张艺谋首次和香港演员合作。
5.Culture Connotation of Zhang Yimou Film and the Modernity Question;张艺谋电影的文化意蕴与现代性问题
6.Elementary comments on the theme and structure of the film "Be alive" produced by Zhang Yimou;浅议张艺谋影片《活着》的主题和结构
7.The Man Is Style--A New Perspective on Zhang Yimou s Marital Movies;风格即人——张艺谋婚恋剧创作新探
8.The Change of the Descriptive Style of Zhang Yimo Films;张艺谋电影作品叙事风格的嬗变过程
9.On Zhang Yimou s Aestheticism--A Review of Movie House of Flying Daggers;张艺谋电影的唯美倾向——评《十面埋伏》
10.Pearl S.Buck and Imperial Ideology;赛珍珠和张艺谋的西方文化霸权倾向
11.A Flowing Space An Analysis of Modelling and Photo-taking in Zhang Yimou′s Films;流动的空间——张艺谋电影影像造型探寻
12.On the Zhang Yimou Film Aesthetics and Practice of the Concept Constitutes论张艺谋电影美学观念及其实践构成
13.Opinions on the Aesthetics Research论张艺谋在奥运开幕式中的美学追求
14.Harmonious Colors--A Tentative Analysis of Colors Used in the Films Directed by ZHANG Yi-mou淡妆浓抹总相宜——浅析张艺谋电影的色彩艺术
15.Xia","Tian Xia" and Hero-A talk of the Film of "Hero" Directed by Zhang Yimou;艺术中的侠、天下及英雄——也由张艺谋的《英雄》说起
16.Cultural Pioneer and Popular Myth--Sketch of Zhang Yimou s Cineturgy;文化先锋与大众神话——张艺谋电影艺术论略
17.The Artistic Innovation of Zhang Yimou s Film My Mother and Father;评张艺谋电影《我的父亲母亲》的艺术创新
18.There is rumor that since the filming she and Zhang Yimou were conjugating together!人们谣传她与张艺谋拍片以来一直在拍拖,
相关短句/例句

Zhang Yi-mou张艺谋
1.Deep Film Reviews and the Films of Zhang Yi-mou and Chen Kai-ge;深度影评及张艺谋、陈凯歌电影
2.Unscramble the personal expression of Zhang Yi-mou by the dressing phenomenon;从着装现象解读张艺谋的个人表达
3.The Symbolish of the Characters in ZHANG Yi-mou s Film;论张艺谋电影人物形象的象征性
3)Zhɑng Yimou张艺谋(1950~  )
4)Zhang Yimou pattern张艺谋模式
1.Zhang Yimou pattern has an everlasting “model” function and social meaning at different times.其中,张艺谋模式在不同历史时段始终具有相当的“示范”作用和社会蕴涵。
5)Zhang Yimou film张艺谋电影
1.Zhang Yimou film is not only the symbol that the Chinese film globalizes, but alsobecome the globalization code of Chinese culture, even represent destiny and predicament of thethird world culture.张艺谋电影不只是中国电影全球化的象征,而且成为中国文化的全球化代码,甚至还代表着第三世界文化的命运和困境。
2.In a lot of awareness of these, it is difficult to find a concept for the Zhang Yimou film aesthetic awareness and the overall summary.然而,对于张艺谋电影的认识可以说褒与贬等量齐观。
6)"Zhang Yimou Phenomenon"张艺谋现象
延伸阅读

张艺谋张艺谋(1950~)中国电影导演,摄影师,演员。生于陕西西安。中学毕业后在陕西农村插队,后当工人。1978年考入北京电影学院摄影系,毕业后分配到广西电影制片厂。1984年,由他拍摄的故事片《黄土地》以独特新颖的摄影构思,在法国第七届三大洲国际电影节上获摄影奖。1987年,他主演的《老井》在东京国际电影节上获最佳男演员奖。1988年,他导演的《红高粱》在第三十八届柏林国际电影节上获金熊奖。1991年,他导演的《菊豆》被提名角逐奥斯卡最佳外语片奖。1992年,他导演的《秋菊打官司》在威尼斯国际电影节上获金狮奖。