审美方式,aesthetic way
1)aesthetic way审美方式
1.See difference of Chinese and Western culture from aesthetic way;从审美方式看中西文化的差异
2.The aesthetic way of dancing and martial arts of Peking Opera is discussed in the way of using the five basic elements: body, spirit,music, energy and tempo.以舞蹈的审美方式用形、神、乐、劲、律五方面来谈谈京剧中"舞蹈"(做、打)的审美艺术。
3.The Western art displays the instantaneous material forms in their space-time existence and the external world composed by them in an interrelated way,while the Chinese art describes the internal world in the aesthetic way that emphasizes understanding by quiet observation.西方艺术所表现的瞬间物质形态所具有的时空存在形式,以及由它们相互关联构成的外部世界,与中国艺术静观和体悟的审美方式所描绘的内在世界,实在是大异其趣。
英文短句/例句

1.Carnival of Images: The Mass Media and tTransformation of the Way of Aesthetic Appreciation;图像狂欢——大众传媒与审美方式的转变
2.Understanding of Taoism-- Analysis on Zhuangzi s Aesthetic Method of Whole Intuition;体“道”——庄子的整体直觉审美方式浅析
3.Transmutation of the Artistic AestheticApproach and Its Significance in Contemporary Public Arts当代公共艺术审美方式与意义的嬗变
4.An Aesthetic Comparison of Thoughts on Natural Beauty by Kant and Zhuangzi;从审美方式比较康德与庄子的自然美思想
5.On the Aesthetic Styles and the Modern Characteristics of Wang Guo -wei s Literary Criticism;漫谈审美方式与王国维文学批评的现代性
6.Aesthetic System--The Existence Manner of Aesthetic Anthropology;审美制度——审美人类学的存在方式
7.Aesthetic Expressions for Formal Aesthetic Perception of Art Design论艺术设计形式美感的审美表达方式
8.The Study of the Passivity Features in Contemporary Aesthetic Behavior;当代审美行为方式的被动性特征研究
9.Rousseau and the Conversion of 19~(th)-Century Aesthetic Paradigm;卢梭与19世纪西方审美范式的转换
10.Ecological-Aesthetic Anthropology Spirit and the Contemporary Lifestyle;生态—审美人类学精神与当代生活方式
11.The Formation Patterns and Basic Features of Poetry Appreciation Viewpoints;诗歌审美视点的构成方式和基本特征
12.Feeling Realizatkion -the Unique Mode of Aesthetic Thinking of Chinese Poets;感悟——中国诗人审美思维的独特方式
13.A Way of Comprehension--An analysis of the poem Spring Morning by Meng Haoran;解读的一种方式——孟浩然《春晓》审美分析
14.On the Differences of the Content and the Taste Psychology Way Between the West and the East Nation Epic;论东西方民族史诗内容及审美心理方式的差异
15.Materialization is the most important method of the aesthetic appreciation of Ancient Chinese.物化”是中国古代最重要的审美体验方式。
16.How does ideology exist in aesthetic field?意识形态在审美领域的存在方式是什么?
17.Chinese Auto Style Tendency Research Based on Eastern Aesthetic View;东方审美观下的中国汽车款式趋向研究
18.A Discussion of the Dancing and Martial Arts of Peking Opera in an Aesthetic Way;用舞蹈审美的方式谈谈京剧中的做、打艺术
相关短句/例句

aesthetic approach审美方式
1.Exemplified on "Ode to Luoyang",the paper studies the changes of prose-poem style from HAN Dynasty to WEI and JIN Dynasties in three perspectives:subject matter,artistic approach and aesthetic approach.以"咏洛赋"为个案,从内容主题的改变、艺术手法的改变、审美方式的改变等3个层面上分析了汉代到魏晋赋的风格的变化。
3)aesthetic method审美方式
1.Observation is one of the basic form of Chinese traditional aesthetic methods, it is combined with sensibility and logos, and the same is with "Tao".本文通过观与道的理论分析,得出结论:观是中国传统审美方式的基型,"观",是感性的,又是理性直觉的,是融感性理性为一体的,道具有同样的特点,观不仅仅停留在感性层面对事物的整体的把握,更把握到物象的美的本质,或者称之为"美的本体",在哲学本体论上这亦可称为观道。
2.Obseration is one of the basic form of Chinese traditional aesthetic methods,which is combined with sensibility,logos and emotion."观"是中国传统审美方式的基型,它由感性、理性、情感交织而成。
3.Observation is one of the basic form of Chinese traditional aesthetic methods, through which subject and object come into aesthetic contact with each other, and we also call it aesthetic vision in aesthetic meaning.“观”,观是中国传统审美方式的基型,在美学意义上可称之为审美观照,是主客体之间建立审美联系的特殊方式。
4)aesthetic model审美方式
1.It is not simply by using the visual angles of children or adults that children s prose poems watch world s aesthetic model.儿童散文诗观照世界的审美方式并非单纯使用儿童视角或成人视角。
5)Aesthetic Mode审美方式
1.Based on the four different dimensions, namely: aesthetic scope, aesthetic mode, aesthetic creation, aesthetics acceptance, this thesis tries to make a systematic survey of the aesthetic impact of Internet on literature, and to revea.本文试从审美视域、审美方式、审美创造、审美接受四个维度,系统考察网络之于文学的审美影响,揭示网络文学与传统文学的差异,探寻网络文学自身的特点和规律。
6)aesthetic life style审美生活方式
1.In consumption society,daily life has got some aesthetic features and image is very important and culture media became the creator and distributer of new aesthetic life style.在当代英国著名社会学家费瑟斯通看来,当今社会从某种意义说就是消费社会,消费社会具有后现代特性,在消费社会,日常生活具有审美特性,影像具有重要意义,文化媒介人成为新审美生活方式的创造者和传播者。
延伸阅读

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