1)Li Shutong李叔同
1.On the Basics of Making of Li Shutong s Musical Education Ideology;论李叔同音乐教育思想的生成基础
2.Male And Female Share the Whole World——On Li Shutong s Viewpoint about Female and its Causes of Formation;“子女平分二十周”——论李叔同的“女性观”及成因
3.The Study of Li Shutong in Japan—— A Textual Research on the Materials about Li Shutong in Japan at an Early Stage;日本的李叔同研究——对日本早期研究李叔同之史料考察
英文短句/例句
1.The Study of Li Shutong in Japan-- A Textual Research on the Materials about Li Shutong in Japan at an Early Stage;日本的李叔同研究——对日本早期研究李叔同之史料考察
2.Two Titles of Li Shutong Making Friends;李叔同交游二题——为纪念李叔同诞辰一百二十周年而作
3.On the Creation of School Songs by Li Shutong in his Teaching Period in Hangzhou;论李叔同任教杭州时的学堂乐歌创作
4.On the Effect of LI Shu-tong s Music Education Theory upon the Later Generations;论李叔同音乐教育思想对后世的影响
5.Male And Female Share the Whole World--On Li Shutong s Viewpoint about Female and its Causes of Formation;“子女平分二十周”——论李叔同的“女性观”及成因
6.A Study of the Recently Disclosed Paintings and Letters by Li Shutong;对新近披露的有关李叔同画作、书信的解读
7.Su Manshu: Impossible to Save Himself--A Comparison With Li Shutong;苏曼殊:无法救赎的自我——兼与李叔同比较
8.Observing the Thought Conversion of Li Shutong from His Poems从几篇诗体作品看李叔同出家的思想转变
9.The most well known among these are Li Shutong, Li Tiefu, Chen Baoyi, Xu Beihong, Lin Fengmian and Liu Haisu.著名的如李叔同、李铁夫、陈抱一，徐悲鸿、林风眠、刘海粟等。
10.A Discussion Starting from the Discovery of Li Shizhen s Examination Paper;从李世珍会试朱卷的发现谈起——破解李叔同“平湖监生”之谜
11.A COMPARATIVE STUDY OF WANG WEI AND MASTER HONG YI (LI SHU TONG);佛天艺海 同此风月——王维与弘一法师(李叔同)之殊同洞微
12.Feflection on Life of Self-Improvement and Prolific Civilization--a primary probe into the art of Li Shutong s poems;丰富的文化内涵与人生自我完善的思考——李叔同诗歌艺术浅探
13.Long for New Knowledge and Value the Tradition--The Culture-Orientation and Meaning of Li Shutong s School Songs;渴求新知与崇尚传统——李叔同“学堂乐歌”创作的文化取向及其意义
14.From Collection of Songs from Traditional Chinese Culture to Minor Music Magazine: Li Shutong s Beginning and Distillation in His Musical Career;从《国学唱歌集》到《音乐小杂志》——李叔同音乐事业的起步与升华
15.Li Shutong s Poem "Farewell" and the Application of Image in Classic Poetry;李叔同《送别》词句意象考索——兼谈对古诗词意象意蕴的取用
16.But in their later period, beginning with Li Shutong's Spring Outing, tunes were composed to the school songs.学堂乐歌的后期，自李叔同之《春游》诸歌始，才有了中国人自己作曲的尝试。
17.Oh, we're going to help Li Lei's uncle to pick the oranges.噢，我们要去帮李雷的叔叔摘橘子。
18.Mike and I are going to Uncle Li's farm tomorrow.我和迈克明天打算去李叔叔的农
相关短句/例句
Graph automorphisms李同构
3)Homomorphism of Lie groups李群同态
4)Isomor phism of Lie groups李群同构
5)Lie automorphism李自同构
6)lie homomorphism李同态
延伸阅读
李叔同李叔同（1880～1942）中国教育家，书法家，画家，僧人。早期话剧奠基人之一。名岸，字息霜，法名演音，号弘一。浙江平湖人。1880年10月23日生于天津，1942年10月13日卒于泉州。1898年支持康有为、梁启超戊戌维新变法。失败后南逃上海，参加城南文社。1900年组织上海书画公会。1901年入南洋公学。1905年到日本东京国立美术专门学校学绘画，兼攻音乐，期间曾和曾孝谷等共创春柳社。1910年回国，1912年入南社，任《太平洋报》副刊画报主编，1918年在杭州虎跑寺出家，皈依佛门。翌年在灵隐寺受具足戒。创设南山律学院，弘扬南山戒律。并提出“念佛不忘救国，救国不忘念佛”的主张。他在书、画、诗词、篆刻、音乐、戏剧诸方面均有成就，是最早把油画和钢琴音乐介绍到中国的人之一。演过京剧，后在上海沪学会主持演剧部，又在春柳社领导演艺部，参加了1907年的3次公演，所饰玛格丽特（《茶花女》）、爱米柳夫人（《黑奴吁天录》）等获得高度评价。李叔同对佛学律宗贡献很大，被佛门称为重兴南山律宗第十一代祖师。著作有《四分律比五戒相表记》、《南山道祖略谱》、《在家律要》等。
