1)Aesthetic Category美学范畴
1.Chan verses as a aesthetic category is an epitome of the artistic appreciation and judgement of the Chan Sect."禅意"作为美学范畴,是对禅学精神审美艺术表现的一种概括。
2.Tao,and aesthetic category,which first derived from a concrete referent,and now has become an abstract philosophical concept,has undergone the logical process:from concrete to abstract,and then from abstract to concrete.“道”由原初的一个具体指称 ,逐渐衍化为一个抽象的哲学概念 ,终又拓展成一个独立的美学范畴 ,其间经历了一个从具体到抽象 ,再由抽象到具体的逻辑进程。
3.“Haofang”(“bold and unconstrained”) belongs to aesthetic category with unique connotation and the national characters in the Chinese traditional culture and esthetics, reflecting one kind of positive vigorous aesthetic consciousness and holding an important position in humanities and the field of the literary arts of the Chinese ancient times.“豪放”是中国传统文化和美学中具有独特内涵和鲜明民族特色,反映着一种积极刚健精神风貌和审美意识的美学范畴,它在中国古代的人生思想和文学艺术中占有重要位置。
英文短句/例句
1.Doughty Beauty:An Old and Young Aesthetic Category;“刚美”:一个古老又年轻的美学范畴
2.That appreciation of the beauty of "gas" realizes;“气”之审美视域——中国古典美学范畴研究
3.An Analytical Study Of Aesthetic Category "Forgetness" from Aesthetic Psychological Angle作为美学范畴“忘”的审美心理分析
4.On Chan Verses as an Aesthetic Category --Incidentally on the mechanism for classical aesthetic categories to generate value in the contemporary times;论作为美学范畴的“禅意”——兼说古代美学范畴当代价值的生成机制
5.Development. Mutual Containing and Transformation--An Exploration of Relationship Between Category of Theory of Principles and Category of Aesthetics in Song and Ming Dynasties;发展、互涵与转化——宋明理学范畴与美学范畴关系之探究
6.On "the Ugliness" and "the Absurdity" as the Western Modern Aesthetic Categories;论作为美学范畴的“丑”和“荒诞”
7.Grade Connotation of Dao Chinese Classic Aesthetics;试论中国古典美学范畴“道”的内涵层次
8.On Yizhuan's Influences on Haofang as an Aesthetic Category论《易传》对“豪放”美学范畴的影响
9."Inspiration":An Important Aesthetic Catalogue in Du Fu's Theory of Poetry Creation“神”:杜甫诗论中的重要美学范畴
10."Obsequious Beauty" and "Being Dizzy and Confused"--One of comparisons between aesthetics categories of Schopenhauer and Wang Guowei“媚美”与“眩惑”——叔本华与王国维美学范畴比较之一
11.The category is not only the crest of German classic aesthetics category, but also the crest of western neoteric aesthetics.这个美学范畴体系,不仅是德国古典美学范畴的集大成,而且也达到了近代西方美学的高峰。
12.A Core Field of Aesthetics --Re - Exploration of the Beauty of Tolerance and Kindness;一个美学的核心范畴——“中和之美”再探
13.On the Aesthetic Intension and Aesthstic Character in the "li" Category of Chinese Classical Aesthetics试论古典美学“丽”范畴的审美内涵与美学特征
14.On Production,Connotation and Significance of the Aesthetical Catalogue "Sunya";论美学“空”范畴的产生、内涵及意义
15.On the "Li" Category of Chinese Classical Aestheticsin the Wei-Jin and Southen-Northen Dynasty;魏晋南北朝时期古典美学“丽”范畴论
16.On the "Li" Category of Chinese Classical Aesthetics in the Qin-Han Dynasty;先秦两汉时期古典美学“丽”范畴论
17.The Way,Law of Nature,and the Vehicle of the Confucian Ideas;道、原道、载道——“道”范畴美学释义
18.Flavour":Its Aesthetic Category In the Early Koryo s Poetics;“味”审美范畴在高丽诗学前期之考察
相关短句/例句
aesthetic categories美学范畴
1.The aesthetic categories of Yue Ji : "qi", "he", "qing", "yiyin", "yiwei", "huashen", have plentiful aesthetic meaning.《乐记》美学范畴的精神意蕴及《乐记》理论建构的特点对中国传统美学的发展产生了深远的影响。
3)philosophy and aesthetic categories美学范畴史
4)western aesthetic category西方美学范畴
5)Chinese Classical Aesthetic Category中国美学范畴
1.On the Basic Characteristics of Chinese Classical Aesthetic Category "Xing;论中国美学范畴“兴”的基本特征
6)Hidden Asethetic category潜性美学范畴
延伸阅读
《当代西方电影的美学思想》 中国电影理论专著。李幼蒸著。中国社会科学出版社1986年出版。全书分《绪论》、《电影语言》、《电影表现与现实》、《电影"作者"、作品与观众的结构分析》、《反传统电影潮流》和《先锋派电影的实践与理论》 6章21节；介绍了当代西方电影美学研究的重要发展和面临的基本问题；论述了60～70年代西方主要电影美学理论，特别是结构主义和符号学电影理论的基本概念和观点，还涉及电影中的科学研究、哲理表达等问题。
