1)A Doll's House《玩偶之家》
1.On the Misreading of A Doll's House in the Period of the May 4th Movement论“五四”时期对《玩偶之家》的误读
2.Feminism,Individualism or Capitalism?:On Misreading of Ibsen's A Doll's House女性主义、个人主义,还是资本主义?——谈对易卜生《玩偶之家》的误读
3.The Homecoming's Reception of A Doll's House and Its Textual Response to the Same《回家》对《玩偶之家》的文本继承与回应
英文短句/例句
1.The Poetry of A Doll--Reread the Play A Doll s House;诗意“玩偶”——对《玩偶之家》的重新解读
2.On the Dual Nature of the Doll in the Family of Doll论《玩偶之家》中“玩偶”的双重性
3.The Homecoming's Reception of A Doll's House and Its Textual Response to the Same《回家》对《玩偶之家》的文本继承与回应
4.The Spirit of Love--The Comparison between Antigone and A Doll House;爱的精神——《安提戈涅》和《玩偶之家》的比较
5.discusses Nora of Ibsen s ET DUKKCHJEM to leave in a hurry;论易卜生《玩偶之家》中出走的娜拉
6.The Burst-up of Romance:On"A Doll s House"and"Lady of Ocean";浪漫的破产——解读《玩偶之家》兼《海上夫人》
7."The May 4th" Cultural Context and the Multivariate Explanations of A Doll s House;“五四”文化语境下《玩偶之家》的多元阐释
8.On the Misreading of A Doll's House in the Period of the May 4th Movement论“五四”时期对《玩偶之家》的误读
9.Comparative Study of Women Images in A Doll s House, Candida and The Greatest Event in Life;《玩偶之家》、《康蒂妲》和《终身大事》女性形象之比较
10.I Belong to Myself我属于我自己——从《玩偶之家》管窥女权主义
11.The Discourse of the Objectified Women--A Comparative Study of A Doll s House and Regret For The Past;被物化妇女的话语——《玩偶之家》和《伤逝》的对比研究
12.POLITICS OF TRANSLATION AND THE POSSIBILITY OF ACCEPTANCE A Doll s House in May-Fourth Enlightenment Discourses;翻译的政治与接受的可能——五四启蒙话语中的《玩偶之家》
13.The Politics of Translating and the Possibility of Acceptance:A Doll s House in China;翻译的政治与接受的可能——“五四”启蒙话语中的《玩偶之家》
14.Where Is the Way? --A Comparative Analysis of the Struggling Ways of Female Protagonists of "The Color Purple" and "A Doll s House";路在何方——对《紫色》与《玩偶之家》女主人公反抗道路的比较分析
15.A Comparative Study of Moment in Peking and A Doll s House--A Closed Look at MULAN from Feminist s View;《玩偶之家》与《京华烟云》的比照——以女权主义视觉看木兰
16."Self-salvation" Doesn t Mean Egoism A Discussion from Hu Shi s Interpretation of A Doll s House;“救出自己”不等于为我主义——从胡适对《玩偶之家》的阐释说起
17.Women,Freedom and Transgression:A Perspective on Ibsen’s Plays A Doll’s House and Ghosts女性,自由与僭越——易卜生戏剧《玩偶之家》与《群鬼》解读新视角(英文)
18.Feminism,Individualism or Capitalism?:On Misreading of Ibsen's A Doll's House女性主义、个人主义,还是资本主义?——谈对易卜生《玩偶之家》的误读
相关短句/例句
A Family of the Toy Figurine玩偶之家
1.A comparison between A Family of the Toy Figurineand Lament Over the Dead;《玩偶之家》与《伤逝》比较
3)dolls[英][d?l][美][dɑl]玩偶
1.In accordance with the human scale of the dolls,and more compact and more easy to get at the hands of careful observation,so to facilitate our teaching activities apparel.玩偶是指模拟人的造型用某种材料制造的玩具、祭祀品或工艺品,在几百年前最早的服装展示也是用人偶来做的。
4)player[英]['ple??(r)][美]['ple?]玩家
1.The right holder of virtual property is the player.网络虚拟财产的权利人应为玩家。
2.Also, network game attracts a lot of players because it possesses charm of unique electron condition, that is, virtual community, the online role play, increase tier step, teleprescence , immediately interactive etc.同时，以计算机和网络技术为媒介的网络游戏有着独特的电子境域之魅力——虚拟社区、在线角色扮演、层级递增、远距临场、即时互动等，吸引了众多玩家。
5)Music puppet音乐玩偶
6)doll-aids玩偶辅助
1.127 preschoolers aged 3 to 6 were tested in the word pattern and doll-aids pattern simulating police s questioning process.本项研究考察了玩偶辅助的取证模式对学龄前儿童目击证人的影响。
延伸阅读
《玩偶之家》《玩偶之家》ADoll’sHouseH.易卜生的社会问题剧作。又译《娜拉》、《傀儡家庭》。1879年首演。情节是：海尔茂律师刚谋到银行经理一职，正欲大展鸿图。他的妻子娜拉请他帮助老同学林丹太太找份工作，于是海尔茂解雇了手下的小职员柯洛克斯泰，准备让林丹太太接替空出的位置。娜拉前些年为给丈夫治病而借债，无意中犯了伪造字据罪，柯洛克斯泰拿着字据要挟娜拉。海尔茂看了柯洛克斯泰的揭发信后勃然大怒，骂娜拉是“坏东西”、“罪犯”、“下贱女人”，说自己的前程全被毁了。待柯洛克斯泰被林丹太太说动，退回字据时，海尔茂快活地叫道：“娜拉，我没事了，我饶恕你了。”但娜拉却不饶恕他，因为她已看清，丈夫关心的只是他的地位和名誉，所谓“爱”、“关心”，只是拿她当玩偶。于是她断然出走了。《玩偶之家》剧照娜拉是易卜生寄予最多爱心的女性形象之一。她曾担着犯罪的风险为丈夫治病，而丈夫在责任面前却退缩了，对她毫无情义。她的出走不单是弃绝那个无爱的家庭，而且是对那个虚伪陈腐的社会的反叛。剧本在结构上深受古典主义三一律的影响，情节单纯、结构紧凑、悬念有力，并采用了四堵墙的室内布景。演出之后舆论或毁或誉，反响非常强烈。五四运动中该剧被介绍到中国，对中国现代戏剧产生过重大影响。
