1)Qu Yuan Fu Zhu《屈原赋注》
1.On the Features of Explaining the Words of DAI Zhen s Qu Yuan Fu Zhu;戴震《屈原赋注》的字词注释特色
2.This articles mainly start from Dai Zhens Qu Yuan Fu Zhu work to contrast him with Zhu Xi s ideas and believed that Dai Zhen always had same ideas and ever had the simple materialism thought with his old age.戴氏早年之《屈原赋注》与朱熹《楚辞集注》及戴氏晚年著述比较表明,他对程朱思想的态度始终如一。
英文短句/例句
1.A Reevaluation of Dai Zhen s Early Philosophical Ideas;戴震早期哲学思想再认识——以《屈原赋注》为中心的考察
2.Ideological Transcendence of Note to Qu Yuan's Ode (《屈原赋注》) by Dai Zhen戴震《屈原赋注》思想内涵的自我超越——以《离骚》解说为中心
3.Research on Jiang Liangfu's Note Method from "Qu Yuan fu School Note"从《屈原赋校注》看姜亮夫的校注方法
4.ON FEATURES OF EXPOUNDING THE CARDINAL PRINCIPLES OF RIGHTEOUSNESS OF MA QI-CHANG S QU FU WEI;论马其昶《屈赋微》阐明微言的注评特色
5.On the Comment Features of Widely Collecting Talk about Publicity of Ma Qi-chang s Qu Fu Wei;论马其昶《屈赋微》“博采众说”的注评特色
6.The Analysis about Qu Yuan s Ju Songand Caozhi s Ju Fu;关于屈原《桔颂》与曹植《桔赋》之论纲
7.The Interpretation of Jia Yi's Sao-ti Fu to the Atmosphere of World Sorrow by Qu Yuan贾谊骚体赋对屈原“悲世之风”的解读
8.Gods and Men in Perfect Harmony and Expressing the Feelings by Borrowing Some Metaphisical Figures --To Seek Quyuan s Inner World from the Fairy Tales and Legends in Quyuan s Rhapsody;神人交融 假象尽辞——从屈赋中的神话传说探寻屈原的内心世界
9.A Sorrowful Sound Throughout the Ages,which Is Equal with the Sun and the Moon in Glory--On the tragic spirit of Qu Yuan s poetry;与日月争光的千古悲音——论屈原赋的悲剧精神
10.Understand and explain newly of Qu Yuan's image in "The Songs of Chu adds supplemental notes"《楚辞补注》对屈原形象的重新确立
11.There is no doubt that Qu Yuan has become an everlasting monument in the history of Chinese literature.毫无疑问，屈原赋是中国文学史上一座不朽的丰碑。
12.Differences between Shao and Fu;骚、赋文体辨——兼说屈作不当名赋
13.Concern About Qu Yuan s Life and Fate and Solicitude for Scholar-Officials Life in Song Dynasty;屈原身世命运的关注与宋代士大夫的人生关怀
14.And this is quite significant for the studies of Qu Yuan and "Chu Ci".这一结论对屈原及《楚辞》研究，对赋体文学发展历史的研究都有较大的意义。
15.The Interpretation of "Dongting" in QU Yuan s poems and "Dongting" in Bamboo Book of Qin Dynasty;屈赋“洞庭”与里耶秦简“洞庭”的解读
16.To Analyse the People s Acception and Prevalence to Qu Sao from Fu of Sao System in Han Dynasty;从骚体赋看汉人对屈骚的接受和传播
17.SU Xue-lin, Wuhan University, QU Yuan s Rhyme Prose;苏雪林与武汉大学及其屈赋研究述略
18.The ABB Structure in Qu Yuan′s Fu: Its Rhetorical Significance;论屈赋中的“ABB”结构及其修辞意义
相关短句/例句
Qu yuan's poetry and prose屈原辞赋
3)Mourn Quyuan吊屈原赋
4)Qu (Yuan s) fu屈(原)赋
5)Qu yuan's odes屈原之赋
6)Qu Fu屈赋
1.Application of Sustenance Way of Venting Emotion in Qu Fu;论屈赋情感宣泄的“托游”方式
延伸阅读
《屈原赋注》 《楚辞》研究著作。10卷,附《楚辞通释》2卷。清代戴震(1723～1777)撰。戴震,字东原,安徽休宁人。著名思想家、学者，长于训诂、典章名物之学。 《屈原赋注》及《楚辞通释》也以字句训诂、名物考释见长。如《离骚》"恐皇舆之败绩"，旧训"绩"为功绩，戴氏则引《礼记·檀弓》"马惊败绩"及《春秋左氏传》"败绩厌覆是惧",证明"车覆曰败绩",虽汪瑗已有类似之说,但戴氏能征引先秦文献证成其说,更进了一步。又《离骚》"荃不察余之中情兮，反信谗而齌怒",其中"齌怒"二字,旧解纷如聚讼,戴氏说"齌，读如天之方之 ”（按《诗·大雅·板》传云:"，怒也"），比旧说更优。又《九歌·湘君》"薜荔柏兮蕙绸"，王逸释"拍"为搏壁，后人多不知"拍"为何物，戴震引《释名》"搏壁，以席搏著壁"，增成其义。凡此，都以真知灼见，超过前人。清人卢文弨为此书作序说："指博而辞约，义创而理确"。但此书也偶有未餍人意之处，如说《九歌》为迁于江南所作，非祀神所歌；又认为屈原作《河伯》，"盖投汨罗之意已决"云云，则出于臆测，难以信从。所附《楚辞通释》，上卷疏证山川地名，下卷疏证草木鸟兽虫鱼，考证名物，类皆精审。 有清乾隆二十五年歙县汪氏刻本及《湖北先正遗书》本。通行本有世界书局《楚辞五种》本。
